A Quantitative Method for Recognizing the Same Hands in Mimbres Black-on-White Pottery
Part of the Mimbres Pottery Images Digital Database (MimPIDD) (DRAFT) project
A number of researchers have sought to identify the works of individual Mimbres artists in the archaeological record. Steven LeBlanc recently called for the development of quantitative methods through which to assess such identifications. In this paper, we propose such a methodology. Through a process of pair-wise, micro-stylistic comparisons, we demonstrate how bowls painted by the same hands are linked in chain-like fashion. By “same hands”, we refer to an individual or group of closely collaborating individuals. Our method takes into account diachronic development of artistic skill, variation in subject matter, and the transfer of style and technique between artist and apprentice. Results generated by our method can contribute to larger theoretical issues and research questions (see Hegmon and Russell 2012).
Cite this Record
A Quantitative Method for Recognizing the Same Hands in Mimbres Black-on-White Pottery. Michelle Hegmon, Will Russell. 2013 ( tDAR id: 377853) ; doi:10.6067/XCV89C6WRF
This Resource is Part of the Following Collections
Calendar Date: 550 to 1150
min long: -109.611; min lat: 31.325 ; max long: -104.886; max lat: 34.931 ;
Individual & Institutional Roles
Sponsor(s): Arizona State University (ASU)
General Note: A large number of the MimPIDD images are public. However, some information and some images are private and are accessible only to researchers who are approved by the MimPIDD board. To request access to the professional version of MimPIDD, please read the PDF "Ethics and Permission to Access MimPIDD," found in tDAR (http://core.tdar.org/document/381421). Email questions to MimPIDD@asu.edu.
|Name||Size||Creation Date||Date Uploaded||Access|
|Russell-and-Hegmon-2013-A-Quantitative-Method.pdf||1.72mb||Sep 20, 2013 11:32:50 AM||Public|