Iconography (Other Keyword)

DOCUMENT Citation Only Antonio J. Waring, Jr.. Preston Holder.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Mario Martínez Lara.

The archaeological site of Cacaxtla, is located in the southwest of the modern state of Tlaxcala, Mexico. It has been explored uninterruptedly since 1975, and researchers agree that the site had a long occupation, reaching its height by AD 600-900, and being contemporary to other sites like Teotihuacan. Cacaxtla stands out for its mural painting and, in particular, for its iconography that combines many pictorial traditions from different Mesoamerican sites. In particular, Cacaxtla’s art draws...

PROJECT Christopher von Nagy. Mary Pohl.

Este proyecto de documentación del arte rupestre y muralismo medio formativo en el estado de Guerrero, México tiene el objetivo de creer una serie de imágenes de alta resolución además de imágenes compuestas y computacionales para facilitar estudios sobre la iconografía y la escritura temprana durante este período clave mesoamericano. Enfocamos en los sitios Oxtotitlán (Cerro Quiotepec), Juxtlahuaca, y Cahuaziziqui. This middle formative muralism and rock art documentation project in the...

DOCUMENT Full-Text Gabrielle Vail. Christine Hernandez.

Re-Creating Primordial Time offers a new perspective on the Maya codices, documenting the extensive use of creation mythology and foundational rituals in the hieroglyphic texts and iconography of these important manuscripts. Focusing on both pre-Columbian codices and early colonial creation accounts, Vail and Hernández show that, in spite of significant cultural change during the Postclassic and Colonial periods, mythological traditions in Mesoamerica reveal significant continuity, beginning at...

DOCUMENT Citation Only Helena Horta. Paz Núñez-Regueiro. Clotilde Castelli. Valentina Figueroa. Catherine Lavier.

The Musée du Quai Branly holds a snuff tray allegedly from Tiahuanaco. It was collected by the geologist Georges Courty during the archaeological excavations conducted on the site by the French Scientific Mission to South America in 1903. The wooden artifact, with inlays of turquoise and metal, is delicately sculpted in low relief, perforated and engraved. Its fragmentary condition has restricted its analysis. A study and conservation plan enabled the recovery of its shape (trapezoidal) and...

DOCUMENT Citation Only Marc Marino. Wesley Stoner. Lane Fargher.

This is an abstract from the "Advances in Puebla/Tlaxcala Archaeology" session, at the 88th annual meeting of the Society for American Archaeology. Collective action problems arise when individuals expend energy or resources to obtain a common goal or outcome. However, conflicting interests hinder cooperation and preclude joint action. Visibility and trust are two factors that reduce collective action problems among small and mid-sized groups, but research is limited on how these variables...

DOCUMENT Citation Only Timo Ylimaunu. Paul R. Mullins. Tuuli S. Koponen.

In our paper, we will consider the development of nationalist material culture and the national iconography in Finland through postal stamps during the 1930s. Stamps were one media of the state to deliver its’ official national iconographic expressions. We will discuss what kind of images were used in the stamps and what kind of images the young national state delivered of itself to the outside world through stamps. Finland became independent at the 1917. The 1920s and 1930s were the period when...

DOCUMENT Citation Only Mary Clarke.

This paper reviews the scholarship regarding Mesoamerican sweatbaths and their role in performance, specifically choreographing locations for transformation and sympathetic transition in supernatural space. The recently discovered sweatbath at the site of Xultun in Guatemala, known as Los Sapos, will be inserted into this dialogue in conjunction with that regarding plazas and Maya theatricality more broadly. After both contextualizing Los Sapos and presenting interpretations regarding its...

DOCUMENT Citation Only Ann Laffey.

This is an abstract from the "Seeing Wari through the Lens of the Everyday: Results from the Patipampa Sector of Huari" session, at the 84th annual meeting of the Society for American Archaeology. Here we present preliminary findings of chemical analyses performed on a Middle Horizon pottery sherd (c. 600-1100 AD). The sherd originates from the capital region of the Wari and has the striking iconographic representation of either a frog or a toad with visual indications of preserved residues....

DOCUMENT Citation Only Sarah Van Oss. Olivia Navarro-Farr.

In 2012, Dr. Olivia Navarro-Farr and her team excavated the tomb (Burial 61) of a Maya ruler in a large ceremonial structure at the site of El Perú-Waka’ in Petén, Guatemala. A confluence of taphonomic, epigraphic, and ceramic evidence underscored the identification of these remains as likely pertaining to Lady K’abel, a queen already well known from texts associated with that ancient city. This poster will explore one of the artifacts found in Burial 61, called the War Serpent Vessel, placed...

DOCUMENT Citation Only Alanson Skinner.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Vernon J. Knight, Jr..

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Bobi Deere.

Focusing on research previously done with residue analysis of containers in the Southeast that had found Ilex or cacao, this study was conducted on imagery and residue results. Residue analysis in the Southeast has been either focused on container form, or only on the residues to be tested. Taking a new look at containers already tested for residues from 3 main sites (Cahokia, Etowah and Spiro and surrounding area), a data base of imagery was created by cataloging motifs and themes of images on...

DOCUMENT Citation Only James A. Brown.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Sarah Barber. Guy Hepp. Jeffrey Brzezinski. Arthur Joyce.

Mesoamerica has a long tradition of masking, as evidenced by representations of masked individuals, and the masks themselves, extending back to at least the Early Formative period. In the lower Río Verde valley of Oaxaca, evidence for masking exists throughout the Precolumbian sequence, from the earliest villages to Postclassic settlements. This evidence often consists of figurines depicting masked individuals or representations on ceramic vessels and carved stones. Recent excavations have also...

DOCUMENT Citation Only Brittany Mistretta.

Feline eyes have a refractory nature that relates to the dichotomy of light and shadows in Andean traditions in Peru and suggests they are significant in Wari iconography. Andean ethnographies have expressed an importance of binary concepts that play a role in understanding of cosmology, mythology, and ritual. I will use Susan E. Bergh’s (1999) classification of Wari elite textile iconography and apply it to ritual ceramic iconographic data from excavations at Conchopata to identify the...

DOCUMENT Citation Only Hannah Zanotto. Jaime Awe.

Recent archaeological investigations in western Belize have recovered evidence for the representation of Tlaloc imagery in the iconographic record of this sub-region of the Maya lowlands. In Central Mexican Civilizations, Tlaloc represented the important rain deity, equivalent, in many ways, to Cha’ac in the Maya area. In the case of western Belize, Tlaloc imagery appears to become increasingly popular at the end of the Classic period, and is depicted on a variety of mediums, including stucco...

DOCUMENT Citation Only Imre Nagy.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Angel Rivera.

Los huesos humanos grabados, encontrados como ofrenda en depósitos funerarios, representan un marcador especial del gremio sacerdotal de la sociedad del Oaxaca antiguo. Por un lado, al ser huesos humanos, establecen un lazo con los ancestros del grupo; por otro, la imaginería que muestran permiten establecer el tipo de rituales y oblaciones a los que estaban dedicados. Más aún, estos objetos eran considerados como reliquias y en algunos casos se les ilustra en la imaginería de los códices...

DOCUMENT Full-Text Uploaded by: Chelsea Walter

Wearing Culture connects scholars of divergent geographical areas and academic fields-from archaeologists and anthropologists to art historians-to show the significance of articles of regalia and of dressing and ornamenting people and objects among the Formative period cultures of ancient Mesoamerica and Central America. Documenting the elaborate practices of costume, adornment, and body modification in Panama, Costa Rica, Nicaragua, Honduras, Oaxaca, the Soconusco region of southern...

DOCUMENT Citation Only Juliette Testard.

Recent strontium analyses have revealed that many women buried in the Feathered Serpent Pyramid in Teotihuacan changed their environment at least two times during their lifetime. This suggests that their role, especially in cultural interactions, was particularly important, an hypothesis already presented by Gillespie and Joyce (1997) for maya societies. An iconographic study of mural painting, figurines and sculptures from Cacaxtla-Xochitecatl and Xochicalco, two epiclassic cities well known...

DOCUMENT Citation Only Jesse Nowak.

Throughout the American Southeast, prehistoric and contemporary indigenous groups have conducted ritual acts of wrapping and binding sacred objects in spirit and medicine bundles. Previous researchers have also noted the concept of ritual encapsulation in other cultural expressions such as: settlement design, mound building, pottery, and cosmology. This presentation will focus on the apparent bundling of iconographic motifs and designs present on a ceramic vessel from the Gilcrease Museum in...

DOCUMENT Citation Only Jeremias Pink. Ronald K. Faulseit. Erica Ausel.

Imagery related to the deity Xipe Totec is well-recognized in Late Classic Zapotec iconography, most notably on a few large ceramic figures known as "Xipe Statues." Unfortunately, the majority of these objects lack detailed contextual information, limiting our ability to fully understand their ritual or ceremonial significance. Our excavation of an elite residential complex has yielded numerous Xipe statue fragments, as well as painted and incised human bones, including two drilled mandibles...