Iconography (Other Keyword)

DOCUMENT Citation Only Heather Seltzer.

The mission period of the American Southwest during the late 1500s and early 1600s, is defined by the adoption of Spanish Catholicism by the Pueblo people. Missionaries gradually introduced the Pueblo people to Catholicism in order to obliterate and replace the Pueblo peoples’ traditional religion. The result of the Pueblo people resisting the Spanish, created a form of religious syncretism in which Pueblo people were forced to blend Christianity with their traditional religion in order to...

DOCUMENT Citation Only Rex Koontz.

The hacha has long served as a key element in the yoke/hacha/palma complex of portable sculpture known chiefly for Classic Veracruz (c. 100-1000 CE) and closely related to the Mesoamerican ball game. Scholars have rightly associated hacha iconography with a specific decapitation sacrifice and related that sacrifice to rites surrounding rubber ball game. While this iconographical analysis is sound, it does little to explain the appearance of the hacha as a new category of material object, as well...

DOCUMENT Citation Only Lauren Copeland.

While elite Maya polychrome ceramics often contain images and inscriptions related to political actors, motifs on the majority of polychrome ceramics relate to important elements of ancient Maya cosmology. This poster analyzes the iconography on a Classic Maya polychrome vessel from Petén, Guatemala donated to the San Bernardino County Museum. The central figure on the interior of the bowl is a deer and a supernatural figure is painted on the inside wall. Terrestrial motifs are found on both...

DOCUMENT Citation Only John Stauffer. Kent Reilly.

This presentation examines the archaeology, folklore, and iconography attesting to the antiquity of the Apalachee Ball Game. We will examine the "Apalachee Ball Game Myth" as recorded by Friar Juan Paina in 1670 as well as several Mississippian carved shell objects (ca. AD 1350, Craig Mound, Spiro, Okla.) that thematically express episodes in this myth. From the evidence gleaned from these several sources we can demonstrate that the ideology underlying the Apalachees’ Ball Game dates from at...

DOCUMENT Citation Only Emily Anderson.

This paper examines the formulation of an early iconographic tradition on late third-early second millennium BCE Crete as a means of gaining insight on the development of a novel scale and variety of community ideology. During this period stamp seals began to be crafted from imported ivory and engraved with figural motifs involving lions, each belonging to a highly distinctive iconography reproduced across the island. These changes coincide with evidence of other social developments, including...

IMAGE Christopher von Nagy. Mary Pohl. Joseph Gamble.

Imágenes fotográficas, computacionales, y compuestas adjuntas al informe técnico Proyecto sobre la escritura temprana. Arte, cosmovisión y símbolo en la evolución de la complejidad mesoaméricana. Estudios de las cuevas de Oxtotitlán y Cahuaziziqui,Guerrero, México, Primera temporada (Enero 2012). Christopher L. von Nagy y Mary D. Pohl.

DOCUMENT Citation Only Alex D. Krieger.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only James Brady.

A good deal of academic attention has been focused on the iconographic analysis of Maya painted ceramics, principally from the Late Classic Period and to a lesser extent from the Early Classic. The tradition, however, begins in the first century A.D. during the protoclassic ceramic stage. Virtually no analysis has been undertaken on these earliest Maya artistic expressions probably because the motifs are largely geometric and figural representations are rare. I compiled a motif inventory from...

DOCUMENT Citation Only Nancy L. Fagin.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Sally J. Cole.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Andrew Turner. Rex Koontz.

The proliferation of ballcourts at major sites such as El Tajín and Xochicalco during the Late Classic period suggests that the Mesoamerican ballgame and its associated architectural features played a crucial role in the expression of power and identity in the tumultuous centuries that followed the collapse of Teotihuacan. This paper investigates the role of Late Classic ballcourts in fostering, shaping, and manifesting cross-cultural interaction through focus on sites from three different...

DOCUMENT Citation Only Frank Reilly. Sean McClure.

Iconographic investigations have revealed how the spread of the symbolism associated with NIGHT and DAY and the liminal space that separates the two were the major focus for the layout of sacred space or ritual precincts throughout the Mesoamerican Formative Period. Night was perceived as the home of much of the spiritual power which the ancient Mesoamericans perceived as inherent within the cosmological structure of the cosmos. In order to control the public and supernatural interface of this...

DOCUMENT Citation Only Fred White.

Open Journal of Archaeometry A Florida Archaeological Survey Archaeometry Project in association with laboratory studies at The Institute of Structure of Matter of the Italian National Research Council, Rome, Italy and the University of Georgia, Department of Geology, Athens, Georgia, United States The provenance of marbles used for making sarcophagi during the Roman period is an important question and scientific analysis can provide a strong confirmation and basis for future studies...

DOCUMENT Citation Only Robyn Pelling. Marie Meranda.

This is an abstract from the session entitled "Paper / Report Submission (General Sessions)", at the 2023 annual meeting of the Society for Historical Archaeology. The Amalfi coast, with its jagged peaks creates a series of village enclaves nestled into the small, relatively flat river valleys along the peninsula. Although geographically isolated, the towns along the peninsula have a network of interconnectivity stemming from their outward maritime focus. Even today, many locals and visitors...

DOCUMENT Citation Only Yeonju Shin.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. Research into ancient Mayan murals in San Bartolo, Bonampak, and Rio Azul demonstrates that the Mayans used paintings to educate people and to portray religious beliefs. The intricacy of their painting technique and the use of natural pigments elicit a durable, complex representation of the Mayan culture rooted in their cosmology of mystic deities called...

DOCUMENT Citation Only Alfredo Saucedo.

Tradicionalmente en la arqueología de la costa del golfo y en específico, dentro de la zona nuclear olmeca se había propuesto que uno de los principales productos que se consumieron durante el preclásico por la sociedad olmeca fue el maíz. Aunado a esto las contantes representaciones de esta planta dentro del sistema de registro olmeca, sugerían una tendencia muy marcada y una preferencia inminente a la producción de este alimento, ya sea con fines ceremoniales o para consumo. Sin embargo,...

DOCUMENT Citation Only James A. Brown.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only James A. Brown.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Brendan Stanley.

By 900 BCE, a middle formative Olmec influence projected into the central highlands of Mexico. This became apparent with the 1930’s discovery of the regional center of Chalcatzingo and its monumental architecture created in the Olmec style. Additionally, Olmec style symbolism appeared in the modern Mexican state of Guerrero with outstanding examples like the monumental architecture of Teopanticaunitlan and the cave paintings of Oxtotitlan and Juxtlajuaca. This paper will iconographically analyze...

DOCUMENT Citation Only Rex Koontz.

Elite public imagery in north-central Veracruz during during the Cacahuatal phase (c. 350-600) focused on frontal presentations of single figures and a restricted iconography. The Late Classic brought considerable changes to elite self-presentation in the region, including a more complex multi-figure narrative format and the palma, a new costume object. Both of these changes were directly related to changes in the visual patterns of public sculpture and the performance of public rites. This...

PROJECT Uploaded by: Leigh Anne Ellison

The University of Pennsylvania Museum of Archaeology and Anthropology has had a long-standing interest in the archaeology of Iran. In 1956, Robert H. Dyson, Jr., began excavations south of Lake Urmia at the large mounded site of Hasanlu. Although the results of these excavations await final publication, the Hasanlu Special Studies series—of which this monograph is the fourth volume—describes and analyzes specific aspects of technology, style, and iconography. This volume describes a group of...

DOCUMENT Citation Only William S. Fitzhugh.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Angel González López. Andrew D. Turner.

A recurring theme in H.B. Nicholson’s groundbreaking analysis of Central Mexican deities is the application of a holistic approach to the analysis of Mexica stone sculpture, which includes visual and iconographic analysis, and comparison to early colonial texts. This paper will analyze a poorly understood deity that appears in late Mexica stone sculpture based on Nicholson’s innovative methodology. This fanged being appears only in stone sculpture from the imperial capital, and has previously...

DOCUMENT Citation Only Philip Phillips. James A. Brown.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Miguel Angel Fhon Bazan.

Archaeological research at the Casa Bodega y Quadra, located in the historic city-center of Lima, Peru, has recovered of a large number of colonial and republican-era artifacts, including pottery sherds of a variety of types and origins. A percentage of these ceramics correspond to British earthenwares. This material evidence reflects the intense and sustained trade between England and Peru that developed at the close of the 18th century and the 19th century. This study examines the...