Rock Art (Other Keyword)
76-100 (200 Records)
This is an abstract from the "The Subterranean in Mesoamerican Indigenous Culture and Beyond" session, at the 86th annual meeting of the Society for American Archaeology. The "ejidatarios" of Cuzama in Yucatán have developed a community tourist complex on the lands of the ancient hacienda of the same name, where they opened three cenotes. This work presents the first results of a survey carried out in a recently discovered cave and cenote known as Xaan Chan, where there are notable paintings...
Investigating Rock Art in the Coastal Valleys of Arequipa (2016)
Rock art takes on a diversity of forms in the coastal valleys of Arequipa ranging from pictographs and petroglyphs to larger geoglyphs and rock alignments. This poster documents initial steps being taken to document and understand the contributions of all forms or rock art to the sacred geography and cultural landscape of this region before, during, and after the Middle Horizon period (400-1000 A.D.) Techniques being used include photo documentation, mapping, and viewshed/intervisibility...
Inyan: Towards Understanding Sioux Quartzite and a Sacred Landscape (2015)
Both archaeological and ethnographic evidence supports the idea that the locations of petroglyphs and pictographs are considered sacred. In the Northern Plains of North America, the Jeffers Petroglyphs and similar petroglyph sites along the Red Rock Ridge are part of a landscape which includes habitations, petroforms, lithic reduction sites, and quarries. We report on the results of archaeological fieldwork at four sites along the Red Rock Ridge near the Jeffers Petroglyphs: a habitation site...
Islandborn: Country, Sea Country and Encounters with Outside (2023)
This is an abstract from the session entitled "Seacountries of Northern Australia and Island Neighbours", at the 2023 annual meeting of the Society for Historical Archaeology. For 7,000 years the Dampier Archipelago (Murujuga) was the traditional land and sea country of the Yaburara and Mardudunhera. Ngarda ngarli have inscribed and deliberately modified this landscape for 50,000 years. After the LGM, rapid sea level rise brought demographic packing and intensive mangal-forest occupation....
Islands in the Stream: A GIS Study of Prehistoric Ritual Landscapes Within Southern Illinois (2015)
Native Americans recognized unique natural features as representing parts of ritual landscapes imbued with power that also contained cultural elements including rock art and mortuary sites. One such landscape within Illinois consists of a three mile long isolated bluff segment located on the now-drained Mississippi River floodplain that prehistorically was surrounded by a mosaic of lakes, ponds, and swamps. In this paper we use GIS, LIDAR, and archaeological data to reconstruct the ancient...
Issues involved in the recording and protection of a previously unknown rock art site in Northern California (2015)
This paper will discuss the interaction between an archaeologist, a Native American who is a most likely descendent from the archaeological site, and a municipal government agency in the rediscovery, documentation and eventual repatriation of indigenous knowledge of a previously unrecorded rock art site. The rock is located in Northern California, on the lake bottom of a municipal water district water property. How should the rock be recorded? Does anyone really "own" that information? Who...
It’s all a bit retro: Investigating early phase rock art on the Dampier Archipelago, Northwest Australia. (2017)
Murujuga, located off the northwest coast of Australia, possesses one of the largest and most vibrant open air rock art galleries on the planet. On Murujuga, low erosion rates, durable geology, and growing evidence from the wider region has allowed for archaeological contextualization of rock art into deep time; giving researchers the opportunity to investigate both the changing social dynamics of groups and the stimuli for this change over thousands of years. The main objective of this paper is...
It’s not an Illustration; it’s a Graphic Database: Rock Art Documentation in the Digital Age (2016)
Shumla incorporates new technologies that are revolutionizing rock art illustration and documentation. This presentation discusses the method developed by Shumla to engage these technologies in the production of graphic databases. Using Adobe Photoshop and a Wacom Cintiq Interactive Pen Display, digital Photoshop layers are used to graphically document data for individual figures. These living documents include accurate scale illustrations and the color calibrated and enhanced photographs used...
Kimberley Visions: Antiquity of Rock Art Style Provinces of Northern Australia (2019)
This is an abstract from the "The Art of Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. Early figurative rock art from northern Australia contains large animal outline figures as well as monochrome anthropomorphic depictions. The latter often have extraordinary detail in accoutrements, headdresses, weaponry and associated material culture. They likely depict ceremonial and collective strategies shared over large areas and expected at the tail end of...
Knacka hällristning med forntida teknik - ett arkeologiskt experiment (1995)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
The Landscape of Klamath Basin Rock Art (2015)
For the past three decades, efforts to interpret Klamath Basin rock art symbols using ethnographic literature and concepts of sacred landscapes have advanced our understanding of the art. This approach, however, is limited by the assumption that the rock art symbols meant the same thing in every social and land use context. From my research of the past decade I have inferred that rock art designs are not distributed randomly across the landscape. Instead, rock art displays appear to vary...
Landscape, Rock Art, and Ceremonial Game Drives (2016)
Early Hunting petroglyphs in a Black Hills canyon depict hunting situations and ceremonies. A loop-line motif, that is unique to this rock art tradition, signifies drive lines and trap structures. Loop-lines occur only at canyon locations that are appropriate settings for trap structures. The canyon starts on the margin of a basin that provides good grazing. Entry to the canyon is funnel-shaped like the V-shaped wings of hunting traps. Recent discovery of a cairn drive line that utilizes another...
Landscapes of Mississippian Rock Art in the Southeast (2016)
Prehistoric rock art has been relatively unknown in the American Southeast until the past few decades. In the 1970's Wellman's catalog of North American rock art contained a handful of sites east of the Mississippi River; today there are hundreds of sites recorded for Tennessee, Alabama, Georgia, Kentucky, and areas east of the Appalachian Mountains. The great majority of these sites probably date to the Late Prehistoric period, and there are clear regional variations in how rock art was...
Legend Rock Remembered (2019)
This is an abstract from the "The Art and Archaeology of the West: Papers in Honor of Lawrence L. Loendorf" session, at the 84th annual meeting of the Society for American Archaeology. Legend Rock is a world-renowned petroglyph site located north of Thermopolis, WY. Considered a sacred site by the Shoshone Indian Nation it features impressive and significant petroglyphs within the Dinwoody tradition. This presentation focuses on the management plan created between Wyoming State Parks and...
Lesser Antillean Rock Art of the Caribbean: A Regional Perspective (2015)
Dubelar's 1995 compendium of rock art sites including sketches and photographs of the petroglyphs from the Lesser Antilles remains a critical resource for the study of the region's prehistoric images. The work has been supplemented in recent years with additional documentation efforts of known and newly discovered sites. The focus of this paper is on the characterization of Lesser Antillean rock art by detailing site and image distributional patterns across the arc of various islands. The Hofman...
Lesser Antillean Windward Island Rock Art and Prehistoric Cultural Systems (2017)
Two data sets-Jonsson Marquet's proposed chronological framework for rock art of the Windward Islands and Alistair Bright's reconstruction of settlement, socio-political and exchange networks within the same region-provide a context for examining the interrelationships among the material cultural correlates (petroglyphs, settlement types, pottery) of various aspects of the area's, as well as inter-area prehistoric cultural components.
Long-Nosed God earrings from Picture Cave
The following reports on rock art from Picture Cave, Missouri depicting a figure with Long-Nosed God earrings. From Hall 1997 An Archaeology of the Soul.
Managing Meaning: Mitigation, Monitoring, and Mentoring at a Rock Art Site in the Uinta Basin, Utah (2015)
In 2014, SWCA, in collaboration with Crescent Point Energy U.S. Corp and Sunrise Engineering, completed detailed analysis, laser 3D scanning, mapping, monitoring, and dust mitigation of a rock art site in the Uinta Basin, Utah. Detailed analysis of the rock art figures—characteristic of the Archaic, Fremont, Ute, and Historic periods—gives us insight into possible movement of peoples between the Tavaputs Plateau and Uinta Basin. Importantly, the interest in the project lies not only with...
Marking the Sacred: Rock Art Images in an Unusual Context (2016)
Rock art images, generally associated with outdoor landscapes and boulders occur in an unexpected context and very sacred space in the California Spanish colonial community of Mission San Miguel the Arcángel. The Mission Community consisted primarily of Salinan and Tulare native populations and included neophyte Indians from previously established nearby Missions. It has been suggested that images found etched throughout the sanctified interior are analogous to California Indian rock art with...
Marking Time and Place - Eclipse Representations in the Late Prehistoric Rock Art of the Central Mississippi River Valley (2016)
Total solar eclipses are perhaps the most dramatic of celestial events. During a total eclipse, for a few moments, while the moon passes unseen between the earth and the sun, viewers positioned directly in line with the sun and moon experience totality. The sun goes black. Day turns suddenly to dusk, winds stir and animals assume their night time behaviors. It is then and only then that the sun’s luminous and variable corona becomes visible. Solar eclipse representations have been widely...
A Matter of Time – Applications of portable X-Ray Fluorescence in establishing rock art chronologies (2015)
The aim in this examination was to examine the potential for portable XRF technology to contribute to chronologies of in situ rock art. In order to do this pXRF data from Chumash rock art panels in the Wind Wolves Preserve in South Central California were compared with one another, and with readings from ochre found in excavated deposits. These ochre deposits are associated with other artefacts which have known dates. The results showed that multiple pigments were used within each rock art panel...
Memory and Materiality in Rock Art and Ghost Dance Performances (2017)
In this paper, I examine the materiality of memory practices as expressed in rock art associated with the Ghost Dance in the Great Basin, Colorado Plateau, and Eastern California. Building on Jeff Malpas’ (2010) claim that "place is perhaps the key term for interdisciplinary research in the arts, humanities, and social sciences in the 21st C." (Creswell 2015:1), and Susan Kuchler’s perspective of ‘landscape as memory’ in which embodied experiences "govern the mnemonic transmission of land-based...
Method and Theory in the Archaeology of Interior Salish Rock Art Sites on the British Columbia Plateau. (2017)
Interior Salish rock art sites on the British Columbia Plateau are multi-component assemblages which include the geomorphology, the rock art and other surface and subsurface elements such as trails, manuports, petroforms, hearths, lithics, radiocarbon dates, flora and fauna. Defining the inter-relationships of these components is essential to understanding the site formation process. In addition, direct historical and cultural continuity between these sites and Interior Salish descendant...
Mountain Doorways: Caves, Shelters, and Rock Art in Past and Present Southwestern Honduras (2016)
Caves and shelters hold a special place among Mesoamerican cultures. Some of the earliest evidence of human occupation in this region is found inside these natural features, where well-preserved materials attest to the detailed knowledge past populations had of their surrounding landscapes and resources. In later time periods, caves were treated as the portals to the underworld and became an essential part of Mesoamerican ideology. The landscape of the Santa Elena highlands of southwestern...
Neandertal artists? Exploring misconceptions about Neandertal symbolic capacities through rock art studies. (2017)
The question of whether Neandertals created art is one that is currently under debate within the field of prehistoric art studies. Originally thought to be brutish and unintelligent, Neandertals have recently come to be acknowledged as complex humans with symbolic capacities, through discoveries of Neandertal-associated modern behaviours including burials, pigment use, and ornament creation. One of the last hold outs separating the symbolic and artistic abilities of Neandertals from those of...