Craft Production (Other Keyword)

DOCUMENT Citation Only Alejandra Roche Recinos. Andrew Scherer. Charles Golden.

This is an abstract from the "Ancient Maya Embedded Economies" session, at the 86th annual meeting of the Society for American Archaeology. In this paper we present the results of the analysis of nearly 42,000 chert and obsidian artifacts from sites in the Middle Usumacinta River region to examine economic production and exchange at the level of the polity. Our study includes a range of household and non-household contexts, revealing entanglements of the lithic economy within the...

DOCUMENT Citation Only Suzanne Eckert. Deborah Huntley.

This is an abstract from the "Cross-Cultural Petrographic Studies of Ceramic Traditions" session, at the 84th annual meeting of the Society for American Archaeology. There is no doubt that Spanish contact and colonization, dramatically changed certain aspects of Pueblo life, among the Ancestral Piro of south central New Mexico. In the context of Pueblo history, examining ceramic technology provides a means of recognizing cultural continuity and transformation on the social landscape and of...

DOCUMENT Citation Only Kazuaki Yoshimura.

This is an abstract from the "Current Issues in Japanese Archaeology (2019 Archaeological Research in Asia Symposium)" session, at the 84th annual meeting of the Society for American Archaeology. Possessing complex three-dimensional structures, and created using the most advanced technologies, including technologies introduced from the Korean Peninsula, the armor of the Kofun Period in Japan represents the finest iron technology of that period. It is commonly accepted that armor was produced...

DOCUMENT Citation Only Brenton Willhite.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. The sudden emergence of Tabira Black-on-white and Tabira Polychrome pottery during the late 16th to early 17th century in the southern portion of Salinas Province, central New Mexico after hundreds of years of production of Chupadero Black-on-white has been the topic of archaeological inquiry for decades. Competing models for the relationship between the...

DOCUMENT Citation Only Praveena Gullapalli.

This is an abstract from the "Crafting Culture: Thingselves, Contexts, Meanings" session, at the 84th annual meeting of the Society for American Archaeology. In this paper I explore how taking apart the bundle of practices grouped together as ‘metallurgy’ might lead to a better understanding of not only that technology but also of ancient South Indian society. While cross-craft approaches to technologies allow archaeologists to explore potential relationships between production activities...

DOCUMENT Citation Only Alicia Boswell. Joanne Pillsbury.

This is an abstract from the "The Movement of Technical Knowledge: Cross-Craft Perspectives on Mobility and Knowledge in Production Technologies" session, at the 84th annual meeting of the Society for American Archaeology. Technical knowledge is passed along through individuals and the exchange of objects. While technical studies of artifacts illuminate the physical evidence of evolutions in manufacturing processes, what are the mechanisms via which ideas are exchanged? What is the role of...

DOCUMENT Citation Only Dawn Kriss. Ellen Howe. Judith Levinson.

The Paracas culture and its impressive pottery tradition developed along the south coast of Peru in the Early Horizon period (approximately 800-100BC). A scientific study of manufacturing techniques and materials of post-fire painted Paracas ceramics at the American Museum of Natural History (AMNH) and Metropolitan Museum of Art (MMA) found a correlation between changes in material use and iconography and vessel form across time. Differences between colorant composition in the Formative/Early...

DOCUMENT Citation Only Yukitsugu Tabata.

This paper will discuss several aspects of premodern stoneware industry in Cambodia. Based on the results of resent excavation of the stoneware kilns in Angkor area, traits of the kiln structure, fuel strategy, forming techniques, glazing, and loading method of the Khmer stoneware will be discussed.

DOCUMENT Citation Only Thania Ibarra. Aurelio López Corral.

Textile production had a pivotal role among Late Postclassic societies including ancient Tlaxcallan, a prominent altepetl of the Puebla-Tlaxcala region. Several scholars have studied prehispanic cloth and garments production based on 16th century historical sources, but using little archaeological evidence. In particular, poor attention has been paid on the technology of textile production based on archaeological artifacts, especially in relation to spinning techniques and the different fibers...

DOCUMENT Citation Only Sungjoo Lee.

This is an abstract from the "New Evidence, Methods, Theories, and Challenges to Understanding Prehistoric Economies in Korea" session, at the 84th annual meeting of the Society for American Archaeology. The Proto-historic period (300 B.C. - A.D. 300) in Northeast Asia was a critical time when technological innovations and the fundamental changes of craft-specialization in the ceramic production occurred. From the early 3rd century B.C., ancient Chinese states of Yan, Qin, and Han expanded...

DOCUMENT Citation Only Cathy Costin.

Drawing on nearly three decades of inspiration from and collaboration with Rita Wright, this paper explores the relationship between craft technologies and social identities on the North Coast of Peru over the longue durée. The technologies used to manufacture goods were themselves meaningful, often considered to be divinely inspired and certainly a key element in determining the value and significance of both everyday and esoteric objects. As transformative processes, the methods and...

DOCUMENT Citation Only Frances Berdan.

Featherworking was among the finest of the luxury industries in the Aztec world. The craft employed complicated techniques and some expensive materials, but a relatively straightforward and inexpensive toolkit. Book 9 of the Florentine Codex features a detailed account of this featherworking technology. Forty-one illustrations accompany the Nahuatl textual account, and 27 phonetic glyphs (as single elements or in structured combinations) are embedded in these illustrations. Renewed...

DOCUMENT Citation Only Vincent C. Pigott.

This is an abstract from the "Paradigms Shift: New Interpretations in Mainland Southeast Asian Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. In the archaeology of prehistoric Thailand, the sub-field of archaeometallurgy has undergone numerous changes in established perceptions, both anthropologically and technologically. This paper introduces the Symposium and overviews recent shifts that characterize how metallurgy in Thailand has come to be...

DOCUMENT Citation Only Jones LeFae.

Mortuary offerings play an important role in understanding the social structure, status-building mechanisms, trade networks, and ideological symbols and beliefs of ancient cultures throughout Mesoamerica, particularly of less well-understood areas such as West Mexico. Changes in these structures, mechanisms, and networks may be recognized through analysis of mortuary assemblages and treatments. During the 2015 laboratory season, mortuary offerings from the site of Los Guachimontones in the...

DOCUMENT Citation Only Holly Pittman.

Production of textiles rose to an industrial level in the late Uruk period of southern Mesopotamia. Iconographic sources found in glyptic art provide a detailed visual description of aspects of this industry. Gender differentiation is clearly institutionalize, with women preparing the thread and skeins while males are engaged in the actual weaving. This paper presents a close analysis of a single motif in the glyptic iconography, offering an explanation of what has previously been identified...

DOCUMENT Citation Only María Eugenia Maldonado Vite. Kim Richter.

This is an abstract from the "Textile Tools and Technologies as Evidence for the Fiber Arts in Precolumbian Societies" session, at the 84th annual meeting of the Society for American Archaeology. During the Postclassic period, the Huasteca region along the northeastern Gulf Coast was an important producer of textiles made of zapupe (the local name for ixtle, that is, agave or yucca plant fibers) and especially cotton as evidenced in early colonial manuscripts, such as the Codex Mendoza and...

DOCUMENT Citation Only Kirsten Lopez.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Textiles are often given short thrift in archaeological research and reporting, due in large part to their rarity and thus limited depth of analysis. Recent studies have demonstrated a variety of new analytical techniques, revealing new potential in archaeological and anthropological textile studies. Unfortunately, over ten years into these developments, few...

DOCUMENT Citation Only Evan Mann. Aida Romera. Roland Tremblay. Karine Taché.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Nomadic hunter-gatherer populations of the Eastern Subarctic were once thought to have largely rejected or ignored pottery technology. The archaeological recovery of ceramics at several sites north of the St. Lawrence Lowlands over the past few decades has passed the status of anecdotal finds and seriously challenges this assumption. Questions remain, however,...

DOCUMENT Citation Only James Davenport.

This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. This study investigates the organization of production for Inka pottery at Pachacamac from several contexts throughout the site’s ceremonial core and elite residential sector. Pachacamac was a major Ychsma center on Peru’s central coast that was transformed into a major Inka provincial center around 1470 C.E. The Inka constructed a number of buildings and...

DOCUMENT Citation Only Thania Ibarra. Lane Fargher. Aurelio Lopez Corral.

This is an abstract from the "Tlaxcallan: Mesoamerica's Bizarro World" session, at the 84th annual meeting of the Society for American Archaeology. Archaeological excavations undertaken by the Tlaxcallan Archaeological Project have recovered an important sample of spindle whorls from Late Postclassic – Early Colonial (1420 -1540 A.D.) domestic contexts in Ocotelulco, a subsection of the urban site of Tlaxcallan, Mexico. In this paper, we present the results of the analysis of identified whorl...

DOCUMENT Citation Only Sebastian Warmlander.

The history of South American metalworking still presents a number of unresolved questions, despite decades of archaeological and historical research. This is especially true for the Andean region, where in prehistoric times alloys of copper as well as precious metals were crafted into intricate objects. Here, analytical metallographic techniques such as scanning electron microscopy (SEM), X-ray diffraction (XRD), and infra-red (IR) spectroscopy are used to investigate different aspects of...

DOCUMENT Citation Only James Davenport.

In recent years, photogrammetry has emerged as a low-cost solution for the digital preservation of archaeological sites and artifacts. Beyond preservation, the creation of three-dimensional models allows archaeologists and researchers to ask questions of objects or sites remotely and at more refined scales. It also allows sites or active excavations and objects not on display to be accessible to the public. Whole ceramic vessels from Max Uhle’s 1897 excavations at Pachacamac, curated at the Penn...

DOCUMENT Citation Only Shauna Latosky. Pascale de Robert.

This is an abstract from the "Body Modification: Examples and Explanations" session, at the 88th annual meeting of the Society for American Archaeology. This chapter offers a comparative look at the labrets of the Mebêngôkre (Brazil) and Mursi (Ethiopia) with a special emphasis on how lip-plates are made, worn, valued, and evaluated at a normative level. By normative, we mean the historical, technical, symbolic, and discursive ways in which such practices are understood by the Mursi and...

DOCUMENT Citation Only Megan O'Neil. Nawa Sugiyama. Gilberto Pérez Roldán. Laura Maccarelli. Yosi Pozeilov.

This is an abstract from the "From Materials to Materiality: Analysis and Interpretation of Archaeological and Historical Artifacts Using Non-destructive and Micro/Nano-sampling Scientific Methods" session, at the 84th annual meeting of the Society for American Archaeology. This paper reviews our interdisciplinary study examining a set of carved deer bones comprising what appears to be a weaving or sewing kit for an ancient Maya royal woman bearing the Sa’ emblem glyph associated with...

DOCUMENT Citation Only Guy Hepp. Marc Levine.

This is an abstract from the "Checking the Pulse: Current Research in Oaxaca Part I" session, at the 88th annual meeting of the Society for American Archaeology. In this paper, we present a preliminary typology, description, and discussion of ceramic figurines from Late Postclassic period (CE 1100–1522) Tututepec, a regional capital located on the coast of Oaxaca. The figurine sample is primarily drawn from household excavations carried out in 2005 and 2022 but also includes material curated...