Film (Other Keyword)
1-9 (9 Records)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
Archaeology’s Moving Images (2015)
Ruth Tringham belongs to a small group of archaeologists who engage seriously with the media practices through which archaeology disciplines itself. She has tirelessly worked to place audio-visual media – from film to networked media – at the heart of how we think about and do archaeology. In a 2009 paper about the UC Berkeley Archaeological Film Database, Tringham sought to move debate beyond reductive critiques of archaeological accuracy to explore how it is that we watch films about the past,...
Ethnological film from the cinematograph to open air museum (2012)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
Interpretive film and television public service announcements: documenting and protecting the Battle of Saipan (2015)
WWII in the Pacific is a particularly difficult subject as it consumed not just the world powers battling for water and land, but also the Indigenous and civilian communities whose island homes were the backdrop for the war. This paper illustrates the process of creating an interpretive film and public service announcements that are a multi-vocal and inclusive in their content and message. An 18-minute interpretive film about Saipan’s WWII underwater heritage and several short public service...
Mit dem Webstuhl in die Vorzeit! Textilforschung und Rekonstruktion textiler Techniken in der ersten Hälfte des 20. Jahrhunderts mit Ausblick auf die Folgen am Beispiel Brettchenweben (2014)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
Motion in place: a case study of archaeological reconstruction using motion capture (2012)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
Reconstruction of a replica swivel gun (2013)
In 1973 a composite wood-iron swivel gun known as a 'Serpentine' was recovered from the Cattewater, Plymouth and a Tudor wreck, known as the Cattewater Wreck, subsequently partially excavated. In 1979 a film was made of the construction of a replica swivel gun by Colin Carpenter which showed the fabrication of the wrought iron gun barrel and oak bed, their fitting and subsequent firing. This film has been digitised by the South West Film & Television Archive.
The Scenic Route: Historic Filming Locations of Utah (2020)
This is a paper/report submission presented at the 2020 annual meeting of the Society for Historical Archaeology. Utah has been a home to the Hollywood film industry since the 1920s. The unique landscape has provided the film industry with awe-inspiring options for creating iconic scenes in television and movies production. The Utah Division of State History’s Antiquities Section has identified the shooting locations of 570 films and counting. This research has identified temporal trends in the...
Standing on Sacred Ground (2015)
In 40 years of filmmaking, I have explored indigenous peoples' relationship to sacred places threatened by extractive industries spawned by a culture that values profiting, owning and collecting material artifacts of great worth. Archaeology – like filmmaking – has evolved in the last 40 years to include the concerns and perspectives of cultures all over the world, including indigenous people. Previous methods labeled Euro-centric, racist or exclusionary have been intensively questioned. If the...