3D printing (Other Keyword)

1-7 (7 Records)

3D Printing an Archaeological Site Map: Photogrammetric Recording and Printing of the Pillar Dollar Wreck (2017)
DOCUMENT Citation Only Anne E. Wright.

During the 2016 East Carolina University field school at Biscayne National Park, photogrammetric data was collected to 3D print a sitemap using a ZCorp 3D printer. This printer is a resin-based printer that uses a 24-bit color pallet to print a full range of color. In addition to Photoscan, this process utilizes a free, open-source 3D rendering and animation software called Blender to perfect  and render the model usable for 3D printing software. The sitemap was then 3D printed for use in the...


3D Printing for Lithic Artifact Replication: Assessing Affordable Options (2023)
DOCUMENT Citation Only Justin Garnett.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. Computer controlled additive manufacturing (3D printing) shows great potential for experimental archaeology, particularly lithics experimentation. As demonstrated by pioneering works in the current literature, 3D models of lithic artifacts can be printed to enable mold making and replication in porcelain, with far lower labor investment than through...


3D Printing for Submerged Heritage: A Comparative Study in Structured Light and Photogrammetry (2017)
DOCUMENT Citation Only Anne E. Wright.

This paper seeks to compare the 3D modeling techniques of photogrammetry and structured light to create 3D models of propellers found on a variety of shipwrecks. Additionally, this project seeks to determine best practices for 3D printing in situ heritage on submerged archaeological sites, focusing particularly on structural elements. This project focuses on three main case studies: Montana at Thunder Bay National Marine Sanctuary, and two shipwreck sites near the Outer Banks of North...


Ben Franklin’s Mastodon Tooth, Frederick Douglass’s Arrow Point, and a Deadeye from a Revolutionary War Shipwreck: A Decade of Historical Archaeology in the Virtual Curation Laboratory (2022)
DOCUMENT Citation Only Bernard Means. Mariana Zechini. Ashley McCuistion.

This is an abstract from the session entitled "Beyond the Classroom: Campus Archaeology and Community Collaboration" , at the 2022 annual meeting of the Society for Historical Archaeology. The Virtual Curation Laboratory (VCL) was formally established at Virginia Commonwealth University (VCU) in August 2011 using funding from a Department of Defense (DoD) Legacy Resource Management Grant and a partnership with Marine Corps Base Quantico (MCBQ). The impetus for this cooperative project led by...


Creating and Curating a 3D Dataset: Establishing Categories for Ancient Maya Musical Instruments Using 3D Scans (2017)
DOCUMENT Citation Only Jared Katz.

The Maya Music Project is dedicated to documenting ancient Maya musical instruments throughout the Maya area. Over the past year and a half the project has been documenting instruments housed in both archaeological laboratories and museums in Guatemala, Belize, and the United States in order to better understand the types of musical instruments that were played by the ancient Maya. At the time of writing this abstract, the project has worked with over 250 musical instruments, and has made 3D...


Giving 3D Scanning a Porpoise: Digitizing the Zooarchaeological Type Collection at the University of West Florida (2015)
DOCUMENT Citation Only Kristina Killgrove. Mariana Zechini.

The faunal type collection at the University of West Florida’s Department of Anthropology, used for zooarchaeological reference, is composed primarily of specimens of local fauna donated by students, staff, and faculty. These crowdsourced contributions are stored in a lab facility and therefore are not readily available to archaeologists needing to make IDs in the field or to researchers working from afar. Using the department’s NextEngine Desktop 3D scanner and hand-held Sense 3D scanner, we...


Making meaning from 3D models and 3D prints: A case study using archaeological objects from Southwestern Ontario (2017)
DOCUMENT Citation Only Mary Compton.

3D technologies provide a powerful mechanism for documenting, sharing, and engaging with archaeological information. While the products of these tools (including 3D models and 3D prints) are often treated as neutral objects, they should be identified as mediated and interpretive entities. How people experience, perceive, and value these archaeological "copies" in relation to original archaeological material is still relatively unknown. This poster provides a localised case study from...