archaeoacoustics (Other Keyword)

DOCUMENT Citation Only Margarita Diaz-Andreu. Tommaso Mattioli.

The site of Las Cuevas (western Belize) has been identified as a mid-sized, Late Classic ceremonial and administrative center. Interestingly, given the importance of caves in Maya religion, the underneath part of the site has a large cave system. Research so far on this cave has focused on aspects that are common in cave archaeology: 1/ structures - in this case on the one hand the series of platforms built around a central, sunk cenote and on the other the walls subdiving the narrow part of...

DOCUMENT Citation Only Kristy Primeau.

This is an abstract from the "Archaeoacoustics: Sound, Hearing, and Experience in Archaeology" session, at the 86th annual meeting of the Society for American Archaeology. In recent years, archaeological research has trended toward the exploration of the experiences of past people, particularly through engagement with the senses, seeking new methodologies and associated theories to develop this understanding. Sounds and auditory experiences occurred ubiquitously throughout time and within all...

DOCUMENT Citation Only Miriam Kolar.

An experiential link to past life, sound is a medium for engaging questions of ancient emplacement and human activity. Spatial sonics can be linked to a dynamic sensory map of one's surroundings; beyond conveying information about structural boundaries and environmental events, architectural and landform acoustics can help or hinder communication. Although acoustics and audio digital signal processing are specialist disciplines, consumer audio technologies can enable the extraction of sonic...

DOCUMENT Citation Only Kristy Primeau.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. Like visibility, audibility can be an actively managed aspect of the built environment, and one can question the relationship between site and sound in the landscape. As approached via the combined frameworks of phenomenology, performance theory, and political theater, interaudibility between sites would have served to create, manipulate, and reinforce...

DOCUMENT Citation Only Kristy Primeau.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Recent development in the field of landscape archaeoacoustics has resulted in improved GIS-based soundshed modeling solutions, however, it has also led to the identification of several limitations of these tools. Foremost among these limitations is the lack of reliable modeling capability to explore the effects of vegetation attenuation or variable ground...

DOCUMENT Citation Only Miriam Kolar.

This is an abstract from the "Music Archaeology's Paradox: Contextual Dependency and Contextual Expressivity" session, at the 86th annual meeting of the Society for American Archaeology. Human interactions with archaeological materials and settings facilitate responsive explorations of things and places in use. In my Andean fieldwork at Chavín and Huánuco Pampa, music-archaeological experiments and ethno-archaeomusicological performance studies of artifact instruments and their replica...

DOCUMENT Citation Only Chester Liwosz.

This is an abstract from the "Archaeoacoustics: Sound, Hearing, and Experience in Archaeology" session, at the 86th annual meeting of the Society for American Archaeology. Since the first forays into the use of databases and computational analysis of rock art compositions by Leroi-Gourhan in the middle of the twentieth century, digital archaeology applications have boomed, becoming a virtual necessity in twenty-first-century practice. Contemporary computerized tools for managing “big-data”...

DOCUMENT Citation Only James Ward. David Robinson.

Located on the Wind Wolves wildlife preserve in South Central California, there are several spectacular rock art sites. Created by the Native Californians who inhabited the landscape, they have been the focus of a number of studies over the years, but none of these studies concentrated on the sound quality of these spaces. The correlation between the placement of rock/cave art, and the acoustic properties of the space in which it is found, is increasingly being studied under the rubric of...

DOCUMENT Citation Only Francisca Zalaquett.

In this paper we present the advances in the organological, acoustic and contextual analysis of musical instruments excavated by Dr. Linda Manzanilla in the sectors of Teopancazco, Oztoyahualco, Tunnels and Xalla, all of them located in the archaeological site of Teotihuacan. These instruments were part of a complex system of sound communication that often accompanied the rituals and daily activities. We propose some interpretations on the use of certain instruments and their relationship with...