spinning (Other Keyword)

1-16 (16 Records)

Ancient textile technology: the hand spinning of ultra-fine yarns (1990)

DOCUMENT Citation Only William D Cooke. M El-Gamal.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...

Characterization of prehistoric spinning technology: toward the determination of spinning practices employed in Missisipian textiles (2001)

DOCUMENT Citation Only E J Tiedemann.

Das komplette Spinnbuch (1988)

DOCUMENT Citation Only C Crockett.

Die Technik des Spinnens im Frühmittelalter (2010)

DOCUMENT Citation Only Ulrike Claßen-Büttner.

An exploration of prehistoric spinning technology: spinning efficiency and technology transition (2006)

DOCUMENT Citation Only E J Tiedemann. K A Jakes.

Farbige Bänder aus dem prähistorischen Bergwerk von Hallstatt. Experimente zur Herstellung von Repliken, Schwerpunkt Faseraufbereitung und Spinnen (2012)

DOCUMENT Citation Only Karina Grömer. Katrin Kania. Helga Rösel-Mautendorfer.

Feltmaking, Spinning, Weaving & Dyeing-textile arts for beginner (2003)

DOCUMENT Citation Only Sally Pointer.

If you were the first person on earth to spot some sheep's fleece lying on the ground, you might think 'mmm, thats lovely and soft and warm, I think I'd like a jumper out of that!', but how would you make one? This information packed book covers the basics of felting, weaving, spinning and dyeing and equips you to try your hand at a whole range of fibre crafts. Absolutely essential reading for beginners of all ages and a useful addition to those who already know one aspect of fibre work...

The hand spinning of ultra-fine yarns, Part 2: the spinning of flax (1991)

DOCUMENT Citation Only William D Cooke. M El-Gamal. A Brennan.

Pre-Columbian Spinning and Lloq'e yarn: an ethnographic analogy (1982)

DOCUMENT Citation Only A S Oakland.

Soft yarns, hard facts? Evaluating the results of a large-scale hand-spinning experiment (2015)

DOCUMENT Citation Only Katrin Kania.

Spinnen mit der Handspindel und dem Handspinnrad (2014)

DOCUMENT Citation Only Brigitte Freudenberg.

Spinning (bunny) tails: an adventure in experimental archaeology (1996)

DOCUMENT Citation Only S R Wilson.

The Spinning Experiment: influences on yarn in spinning with a hand-spindle (2013)

DOCUMENT Citation Only Katrin Kania.

The hand-spindle was the primary tool for spinning for most of human history. For such a long track record, there is astonishingly little known about the influences of this simple tool on the yarn fabricated with its help. The spinning experiment was designed to isolate four possible influences - weight, moment of inertia, fiber and spinner - to see if any hard connections between these factors and the yarn spun can be found. It is the first experiment of this kind and the first source of...

Spinnst Du? Na klar! Geschichte, Technik und Bedeutung des Spinnens von der Handspindel über das Spinnrad bis zu den Spinnmaschinen der Industriellen Revolution (2009)

DOCUMENT Citation Only Ulrike Claßen-Büttner.

Im Buch "Spinnst Du? - Na klar!" dreht sich alles um das Spinnen. Diese uralte Technik war die Grundlage für viele nachfolgende Erfindungen der Menschheit. Das dreigeteilte Buch beginnt mit der Suche nach Antworten auf die großen W-Fragen: WARUM spinnen wir, WIE funktioniert das Spinnen, WAS wird versponnen, WANN wurde WO und WIE gesponnen und WER genau spinnt da eigentlich?Im zweiten Teil geht es darum, einen Blick in die Vergangenheit zu werfen und die Spinntechnik in einem Schnelldurchlauf...

Textile Production in the Uruk Period: New Insights from Glyptic Imagery (2018)

DOCUMENT Citation Only Holly Pittman.

Production of textiles rose to an industrial level in the late Uruk period of southern Mesopotamia. Iconographic sources found in glyptic art provide a detailed visual description of aspects of this industry. Gender differentiation is clearly institutionalize, with women preparing the thread and skeins while males are engaged in the actual weaving. This paper presents a close analysis of a single motif in the glyptic iconography, offering an explanation of what has previously been identified...

Tracing the thread: spinning experiments with Etruscan spindle whorl replicas (2017)

DOCUMENT Citation Only Elena Ciccarelli. A Perilli.