authenticity (Other Keyword)
1-6 (6 Records)
This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. Mimbres Black-on-white pottery from the US Southwest is well known for its beautiful designs and, sadly, also for problems such as looting, fakery, and collection bias. Previous work has documented some of the challenges. The current work develops practical means by which those challenges can be addressed, drawing on a database of Mimbres pottery with designs...
The Aura of Things: Locating Authenticity and the Power of Objects (2016)
This paper is about authenticity and the aura, the authority and power of the physical object, historicity and the persistence of the past, and alternatives to scientific archaeology. It is about science fiction, 20th century theorists, 21st century technology, and contemporary landscapes. This paper examines concepts of authenticity and reproduction and how material culture is used in Philip K. Dick’s Hugo award-winning 1962 novel "The Man in the High Castle" as well as in Walter Benjamin’s...
Making meaning from 3D models and 3D prints: A case study using archaeological objects from Southwestern Ontario (2017)
3D technologies provide a powerful mechanism for documenting, sharing, and engaging with archaeological information. While the products of these tools (including 3D models and 3D prints) are often treated as neutral objects, they should be identified as mediated and interpretive entities. How people experience, perceive, and value these archaeological "copies" in relation to original archaeological material is still relatively unknown. This poster provides a localised case study from...
Qualität ist, wenn keiner eine Brille trägt!? Darstellung zwischen Wunsch und Wirklichkeit (2011)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
Second-hand? Paint chemistry and the age, authenticity and conservation/management of hand stencils from the Sunshine Coast, Qld, Australia. (2017)
The materials used to created rock art preserve information regarding how, and in some instances when, it was made. Here we outline the field based, geochemical study of three white hand stencils on the Sunshine Coast of Queensland, Australia. Portable X-Ray Fluorescence analysis determined that the stencils were made using a titanium dioxide pigment, almost certainly commercially produced white paint. Significantly, this helped us assign a chronology as the rock art must have been produced...
Turquoise mosaic skulls - understanding the creation of an object type (2017)
In 1932, Alfonso Caso and his team found a human skull decorated with turquoise mosaic tesserae during their well-known excavation of Monte Albán’s Tumba 7. To this day, this is the only artifact of this type to have been found in a documented excavation. Nevertheless, at least twenty turquoise mosaic-decorated human skulls are currently held in museums and private collections. Many of these have been considered forgeries, others are considered authentic. Within this group, there are clear...