Classic Veracruz (Other Keyword)

DOCUMENT Citation Only Cherra Wyllie.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Tuxtlas Polychrome ceramics of south-central Veracruz, Mexico occupy a visible presence in precolumbian museum collections. Boldly rendered deities and zoomorphic figures are the focal point of bowls, plates, and vases, their images alluding to a complex supernatural world. While well represented among the corpus of Classic Veracruz artifacts, these vessels...

DOCUMENT Citation Only Philip Arnold.

Great is the conflation of Ehecatl Quetzalcoatl and Topiltzin Quetzalcoatl: a mythical player in the world creation of Mesoamerican groups vs. a semi-historical personage who presaged the arrival of Hernán Cortés. Veracruz, a region implicated via the activities of both avatars, is particularly enmeshed in this duality. The Postclassic narrative whereby Quetzalcoatl journeyed to the Gulf lowlands appears to be foreshadowed in the desacralization of Teotihuacan’s Feathered Serpent Pyramid at the...

DOCUMENT Citation Only Cherra Wyllie.

The relief-carved fine paste wares, figurines, and ceramic sculptures of south-central Veracruz exhibit stylistic similarities often attributed to mass production. Yet, there are few molds in the archaeological record, suggesting that replication hinges on the artist’s understanding of materials, techniques and canons of representation. Looking beyond the southern Gulf lowlands we see certain affinities between Classic Veracruz ceramic art and that of its Mesoamerican neighbors. Barbara Stark...

DOCUMENT Citation Only Cherra Wyllie.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. For more than eight decades, numerous ritually interred figurines and skeletal remains have been found in Classic Veracruz architecture. These caches contain tableaus of small, medium, and large-scale ceramic sculpture in conjunction with primary and secondary burials, and deposits of dismembered human bones. Ceramic figures enact scenes depicting...

DOCUMENT Citation Only Marcie Venter. Lacy Risner.

This is an abstract from the "Sculpture of the Ancient Mexican Gulf Coast, Part 2" session, at the 86th annual meeting of the Society for American Archaeology. The ballgame complex was an important component of the Classic Veracruz style that spanned the Late or Epiclassic period (AD 600–900) and that was concentrated along the Mesoamerican Gulf lowlands and extended into adjacent regions. The ballgame, however, has early roots, both in Mesoamerica in general and in Veracruz in particular. In...

DOCUMENT Citation Only Kim Richter.

What were the Huastec region’s interregional relations during the Pre-Columbian period? This is one of the pressing questions about the Huasteca that archaeologists, linguists, and art historians have tried to tackle since the nineteenth century. Scholars have identified cultural relations with the southeastern United States, central Veracruz, central Mexico, west Mexico, and the Maya region. Yet, the archaeological data supporting these identifications are sparse because few scientific...