Classic Veracruz (Other Keyword)
1-8 (8 Records)
This is an abstract from the "Los Rituales del Juego de Pelota en la Costa del Golfo / Ballgame Rituals in the Gulf Lowlands" session, at the 89th annual meeting of the Society for American Archaeology. In south-central Veracruz, representations of ballplayers, captives, kings, and queens defy clear categorizations, made more complex by costume and gender designations, hierarchical proportion, natural sexual dimorphism, and symbolic roles versus historic portraiture; distinctions that may be...
Classic Veracruz Tuxtlas Polychrome Ceramics (2019)
This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Tuxtlas Polychrome ceramics of south-central Veracruz, Mexico occupy a visible presence in precolumbian museum collections. Boldly rendered deities and zoomorphic figures are the focal point of bowls, plates, and vases, their images alluding to a complex supernatural world. While well represented among the corpus of Classic Veracruz artifacts, these vessels...
A Fettered Serpent? Quetzalcoatl and Classic Veracruz (2018)
Great is the conflation of Ehecatl Quetzalcoatl and Topiltzin Quetzalcoatl: a mythical player in the world creation of Mesoamerican groups vs. a semi-historical personage who presaged the arrival of Hernán Cortés. Veracruz, a region implicated via the activities of both avatars, is particularly enmeshed in this duality. The Postclassic narrative whereby Quetzalcoatl journeyed to the Gulf lowlands appears to be foreshadowed in the desacralization of Teotihuacan’s Feathered Serpent Pyramid at the...
Framing Unequal Boundaries: Women, Queens, and Gender (2024)
This is an abstract from the "Gender in Archaeology over the Last 30+ Years" session, at the 89th annual meeting of the Society for American Archaeology. Since the landmark 1986 “Blood of Kings,” kingship has been a central theme in the archaeology, iconography, and epigraphy of the ancient Americas. Despite recent discoveries, the topic of women rulers remains ancillary to the larger view of male-dominated social and political power. During the past 30 years, roles of women have been...
Mimesis and Alterity in Classic Veracruz Ceramic Art (2017)
The relief-carved fine paste wares, figurines, and ceramic sculptures of south-central Veracruz exhibit stylistic similarities often attributed to mass production. Yet, there are few molds in the archaeological record, suggesting that replication hinges on the artist’s understanding of materials, techniques and canons of representation. Looking beyond the southern Gulf lowlands we see certain affinities between Classic Veracruz ceramic art and that of its Mesoamerican neighbors. Barbara Stark...
Pieces of Bone and Pieces of Clay: Tableaus and Caches in Classic Period South-Central Veracruz (2023)
This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. For more than eight decades, numerous ritually interred figurines and skeletal remains have been found in Classic Veracruz architecture. These caches contain tableaus of small, medium, and large-scale ceramic sculpture in conjunction with primary and secondary burials, and deposits of dismembered human bones. Ceramic figures enact scenes depicting...
Situating a Cached Ballgame Yoke from Matacanela, Veracruz (2021)
This is an abstract from the "Sculpture of the Ancient Mexican Gulf Coast, Part 2" session, at the 86th annual meeting of the Society for American Archaeology. The ballgame complex was an important component of the Classic Veracruz style that spanned the Late or Epiclassic period (AD 600–900) and that was concentrated along the Mesoamerican Gulf lowlands and extended into adjacent regions. The ballgame, however, has early roots, both in Mesoamerica in general and in Veracruz in particular. In...
The Tamtoc Scroll Style: Assessing the Relationship Between the Huasteca and Classic Veracruz (2017)
What were the Huastec region’s interregional relations during the Pre-Columbian period? This is one of the pressing questions about the Huasteca that archaeologists, linguists, and art historians have tried to tackle since the nineteenth century. Scholars have identified cultural relations with the southeastern United States, central Veracruz, central Mexico, west Mexico, and the Maya region. Yet, the archaeological data supporting these identifications are sparse because few scientific...