Iconography and Art: Rock Art (Other Keyword)

DOCUMENT Citation Only Martin Gutoski.

This is an abstract from the "SAA 2024: Individual Abstracts" session, at the 89th annual meeting of the Society for American Archaeology. I have been searching for the photographs and tracings made by J. Louis Giddings in June 1940 as reported in the American Antiquity, Vol. 7, No. 1 (July 1941) since I was an undergraduate student in anthropology at the University of Alaska Fairbanks (UAF) in 1992. When entering the program for my master’s degree in the 2000’s I had to content myself that...

DOCUMENT Citation Only Faithleigh Podzimek. Ben Kreimer. Phil Geib.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 89th annual meeting of the Society for American Archaeology. Our research involves creating and analyzing a 3D model of an inaccessible petroglyph panel in southeastern Utah. The rock art panel occupies the cliff face of an alcove approximately 10–30 m above the modern ground surface. Such heights make documentation difficult; this lofty position likely caused the...

DOCUMENT Citation Only Christopher Begley.

Ancient eastern Honduran populations utilized foreign symbols in limited elite contexts, such as site planning and architecture, but most elements of material culture reflect clear connections to Lower Central America. Iconography seen in petroglyphs appears significantly different from that seen in other media, and may yield additional information and insights into identity formation and interactions within the region. For many reasons, these petroglyphs have not been extensively studied. While...

DOCUMENT Citation Only James D. Keyser. Linea Sundstrom.

This is an abstract from the "The Art and Archaeology of the West: Papers in Honor of Lawrence L. Loendorf" session, at the 84th annual meeting of the Society for American Archaeology. In 1866 Ambrose Bierce accompanied the Hazen expedition whose tour inspected military outposts in the Department of the Platte. During cartographic work, Bierce recorded two "Indian inscriptions," one petroglyph on the Powder River near Ft. Reno, and an arborglyph on the Yellowstone River upstream from Pompey’s...

DOCUMENT Citation Only Iris Querenet Onfroy De Breville.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. My paper will be centered around an archaeology of the ancient indigenous rock art analysis through the landscapes of northern New Mexico. This project utilizes two primary lines of evidence. First, it examines the plant and animal ecology of the Rio Grande Gorge, particularly the so-called natural signs or traces of mammals such as the modern distribution of...

DOCUMENT Citation Only Sam Challis. Andrew Skinner.

This is an abstract from the "Painting the Past: Interpretive Approaches in Global Rock Art Research" session, at the 89th annual meeting of the Society for American Archaeology. Hunter-gatherer cosmology in southern Africa is very clearly multinatural; persons human and nonhuman working to behave intelligibly to each other so that relations are brokered and maintained. Until recently, however, rock art interpretations have implied a physical division between realms animal and human,...

DOCUMENT Citation Only Abdullah Alsharekh.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Rock art is vastly abundant in Arabia, and there are large concentrations of panels in key localities. Hail, Najran and Tabuk are the most prominent ones. These three localities house thousands of panels, which can be multi-period, and were done in various styles and engraving techniques. Anthropomorphic figures can give us an insight into these past...

DOCUMENT Citation Only Radoslaw Palonka. Katarzyna Ciomek. Vincent MacMillan. Ross Gralia. Maiya Gralia.

This is an abstract from the "From the Plains to the Plateau: Papers in Honor of James D. Keyser" session, at the 86th annual meeting of the Society for American Archaeology. This paper focuses on the presentation of selected examples of Ancestral Pueblo and historic Ute rock art panels located in the Sand Canyon and Sandstone Canyon areas within the Canyons of the Ancients National Monument (CANM), southwestern Colorado, USA, and raises some methodological questions. Some of the panels...

DOCUMENT Citation Only Kim Cox.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 89th annual meeting of the Society for American Archaeology. The archaeological site of Paint Rock, Texas (41CC1) at over 300 m in length is the largest continuous rock art site in Texas. Many of its older pictographs have been scheduled to spectacularly interact with the sun on the equinoxes and solstices and apparently also on the cross-quarter days. The older rock...

DOCUMENT Citation Only Tania Mosquera Castro. André Santos. Ramón Fábregas Valcarce. Arturo De Lombera-Hermida. Xose Rodríguez-Álvarez.

This is an abstract from the "Local and/or Exotic Interactions: Symbols, Materials, and Societies" session, at the 89th annual meeting of the Society for American Archaeology. Traditionally, the distribution of Paleolithic art was limited to the so-called “Franco-Cantabrian area,” but the distribution of this graphic phenomenon has enlarged with the identification of new sites in different parts of the Iberian Peninsula. Previously, the northwest of Iberia, roughly delimited by the valleys of...

DOCUMENT Citation Only Jerod Roberts.

This is an abstract from the "The Art of Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. The Lower Pecos canyonlands of southwest Texas are home to over 350 identified rock art sites containing various pictographic styles. The Pecos River Style is the most well-known and contains many diagnostic characteristics. One of the most ubiquitous is a motif that has been interpreted as a prickly pear pouch, gourd rattle, catfish on a string, dart-headed...

DOCUMENT Citation Only Jerod Roberts.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 88th annual meeting of the Society for American Archaeology. This paper aims to further define the characteristics of Red Linear style (RLS) anthropomorphs and establish its temporal relationship with other regional rock art styles of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico. In 2013, Boyd et al. presented a list of diagnostic attributes for the RLS...

DOCUMENT Citation Only Sharisse McCafferty. Geoffrey McCafferty.

This is an abstract from the "Centralizing Central America: New Evidence, Fresh Perspectives, and Working on New Paradigms" session, at the 89th annual meeting of the Society for American Archaeology. Throughout human history people have been entranced by avians. Their ability to fly from earth to the sky, while displaying grace and beauty, as well as exhibiting a ferocity to protect their nests and hatchlings was revered. Birds were often seen as messengers between the sky and earth,...

DOCUMENT Citation Only Reinaldo Morales.

This is an abstract from the "From the Plains to the Plateau: Papers in Honor of James D. Keyser" session, at the 86th annual meeting of the Society for American Archaeology. Alexander Baumgarten’s *Aesthetica gave birth to modern aesthetics. He had in mind a specific relationship between human cognition and sensory perception. Originally, aesthetics was the “science of sensitive knowing” (*scientia cognitionis sensitivae), or the study of how we know the world through our senses (sensing it)...

DOCUMENT Citation Only David Witelson.

This is an abstract from the "Painting the Past: Interpretive Approaches in Global Rock Art Research" session, at the 89th annual meeting of the Society for American Archaeology. Rock paintings of cattle raids are common in South Africa's southeastern mountains. Traditionally, such scenes are thought to illustrate some degree of conflict between two groups. The postures of the cattle depicted in the same scenes have been interpreted as showing movement such as walking or being driven from one...

DOCUMENT Citation Only Charlotte Vendome-Gardner.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 89th annual meeting of the Society for American Archaeology. The Fluteplayer is widely recognized within rock art, characterized by a figure holding and/or playing a flute. It has been misinterpreted as the Kachina Kokopelli. As a result it is now entangled with modern, predominantly Western, interpretations of the Kokopelli character, which are subsequently rooted in...

DOCUMENT Citation Only Julie Francis. Mark Willis.

This is an abstract from the "From the Plains to the Plateau: Papers in Honor of James D. Keyser" session, at the 86th annual meeting of the Society for American Archaeology. Black Rock is an extremely rare, fully pecked rock art site in southwestern Wyoming. It is dominated by unusual anthropomorphic forms and associated abstract/geometric designs, with three identifiable zoomorphic figures (two mountain sheep and one elk). As part of a 1990s dating study, 14C and rock varnish...

DOCUMENT Citation Only Victoria Roberts.

This is an abstract from the "The Art of Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. Bold Line Geometric is one of five currently identified rock art styles in the Lower Pecos Canyonlands of southwest Texas. It has previously been described as thick, glossy pigment applied in bold lines, geometric shapes, and globular anthropomorphic and zoomorphic forms. In 1965, David Gebhard laid the ground work for the initial description and definition of...

DOCUMENT Citation Only Erika Blecha.

This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. Located in the Sierra Vieja breaks, a subset of the Chihuahua Desert near the Rio Grande in far west Texas, are fields of thousands of small vesicular boulders and survey work found some contain petroglyphs. Beginning in the fall of 2018 the Center for Big Bend studies led a thorough investigation and documentation of over 200 petroglyphs pecked into these...

DOCUMENT Citation Only Siobhan Anderson. Carolyn E. Boyd. J. Phil Dering. David Keim.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 89th annual meeting of the Society for American Archaeology. Stratigraphic analysis has long been a cornerstone of archaeological research, and the practice of displaying and analyzing complex relationships between stratigraphic surfaces and layers using Harris Matrix Composer is commonplace. New methods in rock art research have incorporated an understanding of...

DOCUMENT Citation Only Mavis Greer. John W. Greer.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 88th annual meeting of the Society for American Archaeology. A small sandstone rockshelter overlooking Buffalo Creek in the southeastern foothills of the Bighorn Mountains has been of interest to researchers since the 1960s due to its shield-bearing warriors, but they account for only a few images at the site. Several different animals here include elk, bears, and...

DOCUMENT Citation Only Katharine Fernstrom.

This is an abstract from the "The Role of Rock Art in Cultural Understanding: A Symposium in Honor of Polly Schaafsma" session, at the 84th annual meeting of the Society for American Archaeology. Polly Schaafsma’s extraordinary body of rock art publications allows us to return repeatedly to the images to ask different questions as our knowledge expands. Rock art informs my studies of pre-European Native American murals and 3-dimensional human figures because murals are compositions on...

DOCUMENT Citation Only Emilie Cobb. Manuel Duenas-Garcia. Waylon Coats. Miriam Campos Martinez. Scott Nicolay.

This is an abstract from the "SAA 2024: Individual Abstracts" session, at the 89th annual meeting of the Society for American Archaeology. The preservation of cultural heritage through advanced technology allows us to understand and protect the past for future generations. This poster presents the Rock Art Heritage Preservation Project, a project aimed at digitally conserving the legacy of California Central Valley's rock art with the Southern Sierra Miwok Nation. California's landscape...

DOCUMENT Citation Only Margaret Berrier.

This is an abstract from the "The Art and Archaeology of the West: Papers in Honor of Lawrence L. Loendorf" session, at the 84th annual meeting of the Society for American Archaeology. The Jornada Mogollon region is known for its rich body of rock art. Researchers have suggested that elements such as cloud terraces, masks, goggle-eyed figures, and horned serpents are associated with ceremony. Although hundreds of bighorn sheep images exist in the regional rock art these figures are not...

DOCUMENT Citation Only Julio Amador. Ofelia Márquez Huitzil.

This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. This paper is dedicated to carrying out a detailed study of some of the reliefs that were carved on the slopes of Cerro Chalcatzingo, during the Middle Formative period, as well as to present some critical reflections about the interpretations that have been made by other authors. All descriptions imply interpretation, in consequence, every process of...