Iconography and Art: Rock Art (Other Keyword)

DOCUMENT Citation Only Christopher Begley.

Ancient eastern Honduran populations utilized foreign symbols in limited elite contexts, such as site planning and architecture, but most elements of material culture reflect clear connections to Lower Central America. Iconography seen in petroglyphs appears significantly different from that seen in other media, and may yield additional information and insights into identity formation and interactions within the region. For many reasons, these petroglyphs have not been extensively studied. While...

DOCUMENT Citation Only James D. Keyser. Linea Sundstrom.

This is an abstract from the "The Art and Archaeology of the West: Papers in Honor of Lawrence L. Loendorf" session, at the 84th annual meeting of the Society for American Archaeology. In 1866 Ambrose Bierce accompanied the Hazen expedition whose tour inspected military outposts in the Department of the Platte. During cartographic work, Bierce recorded two "Indian inscriptions," one petroglyph on the Powder River near Ft. Reno, and an arborglyph on the Yellowstone River upstream from Pompey’s...

DOCUMENT Citation Only Iris Querenet Onfroy De Breville.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. My paper will be centered around an archaeology of the ancient indigenous rock art analysis through the landscapes of northern New Mexico. This project utilizes two primary lines of evidence. First, it examines the plant and animal ecology of the Rio Grande Gorge, particularly the so-called natural signs or traces of mammals such as the modern distribution of...

DOCUMENT Citation Only Abdullah Alsharekh.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Rock art is vastly abundant in Arabia, and there are large concentrations of panels in key localities. Hail, Najran and Tabuk are the most prominent ones. These three localities house thousands of panels, which can be multi-period, and were done in various styles and engraving techniques. Anthropomorphic figures can give us an insight into these past...

DOCUMENT Citation Only Radoslaw Palonka. Katarzyna Ciomek. Vincent MacMillan. Ross Gralia. Maiya Gralia.

This is an abstract from the "From the Plains to the Plateau: Papers in Honor of James D. Keyser" session, at the 86th annual meeting of the Society for American Archaeology. This paper focuses on the presentation of selected examples of Ancestral Pueblo and historic Ute rock art panels located in the Sand Canyon and Sandstone Canyon areas within the Canyons of the Ancients National Monument (CANM), southwestern Colorado, USA, and raises some methodological questions. Some of the panels...

DOCUMENT Citation Only Jerod Roberts.

This is an abstract from the "The Art of Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. The Lower Pecos canyonlands of southwest Texas are home to over 350 identified rock art sites containing various pictographic styles. The Pecos River Style is the most well-known and contains many diagnostic characteristics. One of the most ubiquitous is a motif that has been interpreted as a prickly pear pouch, gourd rattle, catfish on a string, dart-headed...

DOCUMENT Citation Only Jerod Roberts.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 88th annual meeting of the Society for American Archaeology. This paper aims to further define the characteristics of Red Linear style (RLS) anthropomorphs and establish its temporal relationship with other regional rock art styles of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico. In 2013, Boyd et al. presented a list of diagnostic attributes for the RLS...

DOCUMENT Citation Only Reinaldo Morales.

This is an abstract from the "From the Plains to the Plateau: Papers in Honor of James D. Keyser" session, at the 86th annual meeting of the Society for American Archaeology. Alexander Baumgarten’s *Aesthetica gave birth to modern aesthetics. He had in mind a specific relationship between human cognition and sensory perception. Originally, aesthetics was the “science of sensitive knowing” (*scientia cognitionis sensitivae), or the study of how we know the world through our senses (sensing it)...

DOCUMENT Citation Only Julie Francis. Mark Willis.

This is an abstract from the "From the Plains to the Plateau: Papers in Honor of James D. Keyser" session, at the 86th annual meeting of the Society for American Archaeology. Black Rock is an extremely rare, fully pecked rock art site in southwestern Wyoming. It is dominated by unusual anthropomorphic forms and associated abstract/geometric designs, with three identifiable zoomorphic figures (two mountain sheep and one elk). As part of a 1990s dating study, 14C and rock varnish...

DOCUMENT Citation Only Victoria Roberts.

This is an abstract from the "The Art of Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. Bold Line Geometric is one of five currently identified rock art styles in the Lower Pecos Canyonlands of southwest Texas. It has previously been described as thick, glossy pigment applied in bold lines, geometric shapes, and globular anthropomorphic and zoomorphic forms. In 1965, David Gebhard laid the ground work for the initial description and definition of...

DOCUMENT Citation Only Erika Blecha.

This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. Located in the Sierra Vieja breaks, a subset of the Chihuahua Desert near the Rio Grande in far west Texas, are fields of thousands of small vesicular boulders and survey work found some contain petroglyphs. Beginning in the fall of 2018 the Center for Big Bend studies led a thorough investigation and documentation of over 200 petroglyphs pecked into these...

DOCUMENT Citation Only Mavis Greer. John W. Greer.

This is an abstract from the "Interdisciplinary Approaches to Rock Art Documentation, Research, and Analysis" session, at the 88th annual meeting of the Society for American Archaeology. A small sandstone rockshelter overlooking Buffalo Creek in the southeastern foothills of the Bighorn Mountains has been of interest to researchers since the 1960s due to its shield-bearing warriors, but they account for only a few images at the site. Several different animals here include elk, bears, and...

DOCUMENT Citation Only Katharine Fernstrom.

This is an abstract from the "The Role of Rock Art in Cultural Understanding: A Symposium in Honor of Polly Schaafsma" session, at the 84th annual meeting of the Society for American Archaeology. Polly Schaafsma’s extraordinary body of rock art publications allows us to return repeatedly to the images to ask different questions as our knowledge expands. Rock art informs my studies of pre-European Native American murals and 3-dimensional human figures because murals are compositions on...

DOCUMENT Citation Only Margaret Berrier.

This is an abstract from the "The Art and Archaeology of the West: Papers in Honor of Lawrence L. Loendorf" session, at the 84th annual meeting of the Society for American Archaeology. The Jornada Mogollon region is known for its rich body of rock art. Researchers have suggested that elements such as cloud terraces, masks, goggle-eyed figures, and horned serpents are associated with ceremony. Although hundreds of bighorn sheep images exist in the regional rock art these figures are not...

DOCUMENT Citation Only Julio Amador. Ofelia Márquez Huitzil.

This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. This paper is dedicated to carrying out a detailed study of some of the reliefs that were carved on the slopes of Cerro Chalcatzingo, during the Middle Formative period, as well as to present some critical reflections about the interpretations that have been made by other authors. All descriptions imply interpretation, in consequence, every process of...

DOCUMENT Citation Only D. Clark Wernecke.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Previous publication has dealt with the discovery of incised stones at the Gault Archaeological Site and the artifacts of early Paleoindian age. To date, the project has identified 146 stones with incised lines and designs on them from provenienced collections, unprovenienced collections and collections in private hands. The artifacts are on both limestone...

DOCUMENT Citation Only Kristen Fuld. Terry Ozbun.

Located on the northern fringe of the Great Basin, in Lake County, Oregon, the Glass Buttes volcanic complex is the most important obsidian toolstone source in North America. Glass Buttes obsidian is world renowned because it is colorful, abundant, available in large pieces, and of extremely high quality for making flaked stone tools. Throughout the late Pleistocene and Holocene, Native Americans have continuously used Glass Buttes obsidian, and it was widely traded in the Pacific Northwest...

DOCUMENT Citation Only Karen Steelman. Liam Brady. John Bradley. Amanda Kearney.

Working with Yanyuwa elders, we collected seven rock painting samples for radiocarbon dating from Kamadarringabaya rock shelter on Vanderlin Island in the southwest Gulf of Carpentaria (Northern Territory). Hand motifs – prints and stencils – dominate the site, covering the shelter walls and roof, and are said by Yanyuwa to be the hands of the Namurlajanyugku spirit beings. In control experiments, negligible levels of humic acid contamination were shown to be present in the unpainted rock;...

DOCUMENT Citation Only James D. Keyser. David Kaiser.

This is an abstract from the "From the Plains to the Plateau: Papers in Honor of James D. Keyser" session, at the 86th annual meeting of the Society for American Archaeology. Site 24ST560, located northwest of Billings, Montana, contains the most detailed example of a Crow war party tally known in northern Plains rock art. Known from two avocationalist publications, we analyze the site imagery using Crow ledger drawings and Crow ethnographic information, and determine that it represents the...

DOCUMENT Citation Only Sandra Olsen. Khan.

This is an abstract from the "Technique and Interpretation in the Archaeology of Rock Art" session, at the 84th annual meeting of the Society for American Archaeology. The ritualistic use of various detached human body parts is a circumglobal phenomenon that has been documented for cultures extending backward through time for millennia. Its symbolic purposes are diverse, but war trophies and ancestor worship are two of the most common. Artists’ depictions of displays of human body parts...

DOCUMENT Citation Only Eleni Kotoula. David Robinson. Clare Bedford.

This presentation discusses two complementary approaches for visualization of pictographs; interactive relighting and diagrammatic representation. Visible and false colour Reflectance Transformation Images (RTI) provide enhanced visualization of texture in combination with colour enhancement. By extension, the proposed techniques offer the opportunity to explore the characteristics and application of paint as well as the layering and preservation state of pictographs. The extracted information...

DOCUMENT Citation Only Radoslaw Palonka. Boleslaw Zych. Vincent MacMillan. Katarzyna Ciomek. Jakub Sliwa.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. The sandstone multilevel architecture (including famous cliff dwellings) from the central Mesa Verde region, southwestern Colorado in the US Southwest, together with rock art represents Ancestral Pueblo occupation in the prehispanic times. This poster shows the application of various digital techniques for detailed documentation, visualization, and...

DOCUMENT Citation Only Radoslaw Palonka.

Thirteenth century A.D. in the central Mesa Verde region was a time of socio-cultural transformations, climatic changes, and increasing conflicts and violence that took place shortly before the final depopulation of the region. Since 2011 the Sand Canyon-Castle Rock Community Archaeological Project is being conducted and it focuses on the analysis and reconstruction of the settlement and social structure in a community of forty Ancient Pueblo sites dated to the thirteenth century. The project...

DOCUMENT Citation Only Andrzej Rozwadowski. Janusz Woloszyn.

This is an abstract from the "Technique and Interpretation in the Archaeology of Rock Art" session, at the 84th annual meeting of the Society for American Archaeology. Toro Muerto, situated in Arequipa Region in southern Peru, consists of over 2.5 thousand stone blocks covered with petroglyphs, which makes this site unique not only in Peru but also in South America. In this presentation we outline the current results of a new project which aims to document the whole site. This includes...

DOCUMENT Citation Only Ramon Valcarce. Alia Vazquez-Martinez. Carlos Rodriguez-Rellan.

This is an abstract from the "Technique and Interpretation in the Archaeology of Rock Art" session, at the 84th annual meeting of the Society for American Archaeology. Research on the open-air rock art of Galicia has been going on for more than a century. During this time, one aspect that has experienced much change is the recording of the carved panels, starting with techniques that involved direct contact with the rock’s surface and resulted in a more or less adequate rendering of the...