Music (Other Keyword)

DOCUMENT Citation Only Kristina Nielsen.

Since the 1960s, Mexicayotl communities––or communities focused on Mexican Indigenous revivalism––have pursued an Indigenous cultural recovery. In the United States, these efforts have gained traction among Danza Azteca communities who increasingly employ pre-Hispanic flutes, rattles, and other Mesoamerican instruments in their rituals and performances. Danza Azteca communities have drawn on lines of inquiry that parallel those of Robert Stevenson (1968: 17, 18), including the study of...

DOCUMENT Citation Only Christopher Wolff.

This paper examines a small drum that Giddings found in 1959 within a Late Western Thule structure on Cape Krusenstern, and places it within a broader historical context of drum production and use among prehistoric and historic groups within the region surrounding the Chukchi Sea and across the North American Arctic. Giddings only published a brief description and interpretation of the drum, despite elsewhere providing vivid depictions of the use of drums among Arctic peoples. The author’s...

DOCUMENT Citation Only Frances Densmore.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Keith Eppich.

This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. Ceramic drums appear in Classic Maya art, being carried in the hand or nestled between the legs of Native American musicians. However, they have received scant, if quite detailed, attention in the scholarly literature. This presentation seeks to expand our knowledge of these ancient musician instruments using a number of complete and partial drums recovered...

DOCUMENT Citation Only B. Lynn Harris. Kelsey K Dwyer.

Cahuita, a small Afro Caribbean town in southern Costa Rica, boasts a vibrant community of painters, musicians and fishermen. The plethora of colorful murals on buildings, stone statues, lyrics and sounds of calypso and reggae music, small fishing boats and folklore expand the maritime historical narrative. Themes include dramatic stories about shipwrecks and survivors, nature conservation debates, earthquakes, local wildlife, and fishing adventures. The ECU maritime studies team will present an...

DOCUMENT Citation Only Krysta Ryzewski.

This paper discusses the archaeological and historical survey of the Grande Ballroom, an epicenter of entertainment and socializing for generations of musicians and young adult music fans in Detroit, from the time of its opening as a big band-era dance hall in 1928 until it closed as a rock club in 1972. The Grande lies in ruin today, but archaeology demonstrates how its extant material traces and historical transformations over the course of four decades charts the course of popular music...

DOCUMENT Citation Only John R. Swanton.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Gertrude P. Kurath.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Luke J. Pecoraro.

Experiencing its heyday between the 1920s - 1960s, the Chitlin Circuit was the route between concert venues for black musicians and entertainers in eastern, southern, and mid-western America. Often located in African-American rural communities and segregated urban neighborhoods performers including Jimi Hendrix, Etta James, Gladys Knight, and Little Richard played on the circuit as they began their musical careers. The venues along the route frequently included other elements ranging from...

DOCUMENT Citation Only Marlen Hinojosa. Claudia Garcia-Des Lauriers. Matthew Des Lauriers.

Offering 1 from Los Horcones is an assemblage of figurine masks, whistles, rattles and vessels that offers an interesting opportunity for analysis that provides information of the auditory, olfactory, and visual experience of this small ritual. The offering, initially thought to be simply a collection of figurines and masks, were later discovered to be whistles—small musical instruments whose simplicity belies the importance of the meanings they encoded. Experimental archaeological analysis...

DOCUMENT Citation Only Jared Katz.

Just as there was a formal class of scribes in Maya courts, there was also a class of formal musicians. This paper will focus primarily on analyzing the position and social status held by musicians in the Classic Maya area. To begin, the paper will discuss musicians as a formal class within the Maya courts. Musicians are frequently depicted in iconographic portrayals of political events, and based on the garb they are shown wearing, it appears they formed cohesive groups. By analyzing the role...

DOCUMENT Citation Only Frances Densmore.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Frances Densmore.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Frances Densmore.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Charles M. Hudson.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Lorin Brace.

Popular music heritage holds a meaningful place in public memory and in the construction of social identities. Sites associated with musical legacies that have significant meaning to a community are often memorialized to emphasize their connection with a particular place. This paper explores the relationship between music, heritage, and placemaking in the historic African-American neighborhood of West Baltimore, where decades of racism, economic decline, and failed urban-renewal plans have...

DOCUMENT Citation Only Frances Densmore.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.