Rock paintings (Other Keyword)
1-5 (5 Records)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.
The Prehistory of the Burnt Bluff area (1968)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.
Putting Southern African Rock Paintings in Context: The View from the Mirabib Rockshelter, Namibia (2017)
Various researchers have made great strides toward understanding southern African rock art through the exploration of the ethnographic and ethnohistoric records of San hunter-gatherer shamanism. In contrast, less attention has been paid to the archaeological context of the Later Stone Age (LSA) in which rock art was produced. This paper examines Middle Holocene rock paintings at the Mirabib rockshelter in the Central Namib Desert, western Namibia. Our fieldwork at Mirabib and our re-analysis of...
Tennessee Valley Authority Conservation and Management Initiatives at Painted Bluff, Alabama (2015)
Located in northeastern Alabama, Painted Bluff contains motifs similar to ones found on Mississippian ceremonial objects, and an associated charred river cane dating to between AD 1300 and 1440. Approximately 80 images were recorded on the limestone cliffs of the bluff, most of which are red ocher paintings, a few done with yellow pigment, one containing white, and at least three separate thinly-plastered surfaces with fine-line incisions. Following initial recording of the site by Simek,...
Visions in the Quest for Medicine: An Interpretation of the Indian Pictographs of the Canadian Shield (1989)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.