Performance (Other Keyword)
1-14 (14 Records)
For long archaeology has relied on its inherited connections with pop culture and images of adventure and discovery, but as generations pass archaeology has to make a renewed effort to capture the public’s attention and interest. This situation is not exclusive to archaeology and has resulted in a strong investment in science communication in Europe, but our field has remained quite unrepresented on its developments. Through my experience as national winner of the science competition Famelab,...
Captive Bodies, Captive Power: Reexamining the Role of the Captive in Ancient Maya Art (2017)
Stripped, humiliated, and often sacrificed, the captive in ancient Maya art acted as a potent symbol of defeat. Captives are a central theme of Maya art, appearing on media from painted vases to carved stone monuments. However, discussions of ancient Maya captives often focus on their captors: rulers, usually depicted as conquering warriors. "Captive Bodies, Captive Power" investigates, instead, the captives themselves. Treating the captive body as a cultural project that both modeled and...
Companions or Counterparts: Considering the Role of Animal Depictions in Moche Ceramics from Northern Peru (2015)
The Moche Period (1-850AD) is well known for its iconography with naturalistic depictions of a variety of different figures and themes. One aspect of the corpus that has been under-analyzed is the common representation of plant and animal life. The ceramic assemblages of the Moche depict numerous animal species from coastal, highland and Amazonian locations. Recent work conducted at the Larco Herrera Museum reveals that various animal species may have been considered important symbols of group...
Comparative Analysis of Restored Hotels (1979)
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Danalaig a yabu kaipai pa kulai a inab thonar no koi ngapa wagel (Our way of life from a long time ago to the next generation coming): Archaeological and Mualaig biographies of missions. (2018)
In attending to the life or lives of things, biographical approaches in archaeology focus attention to the vitality of objects in change and to narrative. Torres Strait Islander biographies similarly explore themes around the transformation of things though tend rather more to emphasise place in structuring historical narratives. In Torres Strait, history is emplaced, encountered and generative. This paper traces the pathways of Mualgal (the people of Mua Island, western Torres Strait, NE...
Feasting and Performativity at Late Formative Etlatongo (2019)
This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Previous research on feasting in antiquity has demonstrated the importance of surface appearance and vessel form to interpret the performative aspects of rituals such as feasts. As part of the hosts’ strategies, of particular importance are vessels that invoke exotic imagery and/or outside groups through iconography and or aspects of overall vessel design....
Inexorably Contemporary: Archaeology as Performance Art at Italian Hall Memorial Site, Calumet, Michigan (2015)
In the Fall of 2012, students from Michigan Technological University undertook a Phase I site assessment of the three city lots of the Italian Hall Memorial in Calumet, Michigan, in anticipation of the 100th anniversary of the disaster/massacre. The Keweenaw National Historical Park, which alternately owns or manages the three contiguous lots on behalf of the Village of Calumet, sought help with clearance of cultural resources before they could improve the quality of the memorial’s landscaping...
Moving Words: Malagasy Slam Poetry at the Intersection of Performance, Politics, and Transnational Circulation (WGF - Dissertation Fieldwork Grant) (2014)
This resource is an application for the Dissertation Fieldwork Grant from the Wenner-Gren Foundation. Initial findings suggest that recent developments in who can speak and what can be said in kabary (Malagasy oratory) show that the form does not, as has been suggested, solely serve to rigidify social hierarchies; it is also a means of reflecting and improving current realities. Nonetheless, a critical component of kabary remains substantiating one's claims by referring to the razana...
The Performativity of Measurement (2015)
This paper examines the archaeological traces of measurement in light of the roles of mensuration in quotidian rituals. Most archaeologies of performance emphasize public spectacle, coordinated by elites, usually taking place in highly visible ceremonies. While some instances of measurement do fall under this rubric, most occur with less fanfare. Nevertheless, even mundane acts of measuring may be accompanied by some amount of pageantry. Differences in context, furthermore, yield varying...
Performing Colonialism: Setting the Stage at New Amstel (2022)
This is an abstract from the session entitled "More than Pots and Pipes: New Netherland and a World Made by Trade" , at the 2022 annual meeting of the Society for Historical Archaeology. The seventeenth-century colonial experiment along the Atlantic coast of North America was staged, negotiated, and subverted in ritualizing performances of exchange, diplomacy, sociability, law, and conflict. A growing body of archaeological evidence coupled with the extensive New Netherland archives is...
Preliminary Interpretations of the Reduction Technology and Distribution of Obsidian Cores at Caracol, Belize: Learning to Reconsider Maya "Eccentrics" and Social Relations of Ritual Objects. (2015)
To the uninitiated, Maya "eccentrics" are vague archaeological labels applied to flaked obsidian objects placed in ritual caches during the Classic Period (AD 250-800). Although an unclear label of humanoid, deity, animal-like, or other shaped objects, lithics analysts have tried to define eccentrics based on technological attributes enabling comparisons between contexts, sites, and regions. Those studies that reconstruct a complex chaîne opératoire demonstrate many eccentrics had a dynamic...
Queering the Norm: Reinterpreting the Heterosexual Ideal (2015)
This paper aims to problematize the concept of heteronormativity through a queer perspective. Too often, heterosexuality is posited as a universal norm against which queer identities can be examined. Through a look at archaeological deposits associated with heterosexual relationships and practices - such as courtship, marriage, and prostitution- this discussion queers the 'normalness' of heterosexuality by showing that an ideal heterosexuality is rarely, if ever, truly performed. Using examples...
Theatre Archaeology and the Shakespearean stage (2013)
In recent years, archaeology has greatly influenced our understanding of the Shakespearean stage, thorough its excavation of the Rose and the Globe theatres, and in summer 2013, the Curtain. However, although such excavations have shed important light on the architecture, performance space and visitor experiences in these buildings, current experiments in past performance practice are restricted to models derived from these purpose-built theatre spaces. This paper present the results of an...
Tracing Purpose: An emic view of pottery making in prehistory and beyond (2017)
Archaeologists have, until recently, tended to study pots in what I view as an outside/in or etic manner. We have looked at size, form, decoration and touched on the manner of making only insofar as a pot being hand-built, wheel-thrown or cast. However, by developing a profoundly emic understanding of potting, as performance, we have a tool that can allow us to to view the entirely social and shifting cultural nature of a particular genre of pots. In 2007 I developed a skill methodology that has...