Spoils of War: Petroglyphs of Captured Women at Red Canyon, 48FR2508
Author(s): James D. Keyser
Year: 2014
Summary
Two warrior artists documented coups at the Red Canyon site by illustrating capture hands reaching out to take enemy women. The capture of these women has an obvious sexual symbolism, with the capture hands reaching out toward the vulva in one instance and the breast in the other. This symbolism is identical to that which occurs at other Northwestern Plains rock art sites scattered from Writing-On-Stone, Alberta to Wyoming’s Bighorn Basin (Greer and Keyser 2008:95, 98; Keyser and Poetschat 2009:15, 2014:99; Keyser et al. 2006:59; 2012:77-78). In Plains Indian cultures this symbolism served to show a man’s counting coup by claiming (or “capturing”) a woman’s reproductive potential (Keyser et al. 2006:59). Such capture of women was a key component of the Plains warfare system, since captives were highly sought after to replace dead relatives killed by epidemic diseases and inter-tribal warfare. This Red Canyon rock art composition provides another testament to the importance of women captives in the warfare system of the Northwestern Plains.
Cite this Record
Spoils of War: Petroglyphs of Captured Women at Red Canyon, 48FR2508. James D. Keyser. The Wyoming Archaeologist. 58 (2): 3-12. 2014 ( tDAR id: 476501) ; doi:10.48512/XCV8476501
Keywords
Culture
Undifferentiated Native American
Site Name
24BH653
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25FR2
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39HN893Little Boxelder Cave
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48FR2508
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bear gulch
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Davidson Microcave
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DgOw-32
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Little Boxelder Cave
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Red Canyon
General
capture hand
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plains biographic art
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seedskadee
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shield bearing warrior
Geographic Keywords
Wind River Basin
Temporal Keywords
Historic
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Late Prehistoric
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Protohistoric
Individual & Institutional Roles
Contact(s): Marcia Peterson
File Information
Name | Size | Creation Date | Date Uploaded | Access | |
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2014_58_2_Keyser.pdf | 864.09kb | Jul 20, 2023 2:01:27 PM | Public |