Tlaxcala (State / Territory) (Geographic Keyword)

DOCUMENT Citation Only Juan Sereno-Uribe.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Recent surveying and excavation works on the coast of the state of Guerrero and Oaxaca has shown that this is a region with ample archaeological potential. Dr. Román Piña Chan who made several visits during the sixties in that area, already indicated that the systematic study of the coast, would allow us to understand the development of various groups located...

DOCUMENT Citation Only Ryohei Takatsuchi. Karina López Hernández. Víctor Cortés Meléndez.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. Pre-Columbian material and visual culture encapsulate ideologies and symbolism of the Mesoamerican past. Birds play important roles in Mesoamerican societies, both as daily sources of food and in symbolic and ideological contexts found in ceramic and sculptural iterations combined with archaeological and zooarchaeological contexts. This paper will examine...

DOCUMENT Citation Only Rex Koontz.

This presentation investigates the narrative context of a Tajín region deity whose diagnostic characteristics include a large hank of hair and an extended upper lip. The figure appears in narrative scenes with the major Tajín deities, often playing what seems to be a subsidiary role. The most important association in these scenes is with a liquid-filled temple that plays a key role scenes of ballcourt ritual. The same deity appears in pars pro toto representations of sacrificial scenes with...

DOCUMENT Citation Only Susan Milbrath.

This is an abstract from the "New Perspectives on Ritual Violence and Related Human Body Treatments in Ancient Mesoamerica" session, at the 86th annual meeting of the Society for American Archaeology. Ritual violence is well represented in the Codex Borgia, a masterpiece from early sixteenth-century Central Mexico. Narrative scenes depict Venus gods alongside deities honored during seasonal *veintena festivals known from the Valley of Mexico and Tlaxcala. The Aztec Tlacaxipehualiztli festival...

DOCUMENT Citation Only Philip Arnold. Wesley Stoner.

This is an abstract from the "The Legacies of The Basin of Mexico: The Ecological Processes in the Evolution of a Civilization, Part 2" session, at the 84th annual meeting of the Society for American Archaeology. Robert S. Santley was a junior, third author of the path-breaking The Basin of Mexico (Sanders et al. 1979). Nonetheless, his contribution to the volume was substantial, including co-writing almost 50% of the entire 500+ pages of text and producing almost all of the drawings and...

DOCUMENT Citation Only Mikael Fauvelle.

Fracción Mujular is a modest residential site located on the Pacific Coast of Chiapas, Mexico. Long known for the Central Mexican iconography found on its carved stelae, investigations conducted during the winter of 2017 represent the first excavations of the site. This paper presents the results of these excavations, as well as subsequent laboratory analysis. We now know that Fracción Mujular has a history that covers over one thousand years of occupation, from the Early Classic to the Late...

DOCUMENT Citation Only Kim Richter.

This is an abstract from the "Sculpture of the Ancient Mexican Gulf Coast, Part 1" session, at the 86th annual meeting of the Society for American Archaeology. Although the Huasteca belongs to the Mesoamerican culture area and the Gulf Coast region, some scholars have asserted that its culture, emblematized by its sculptural tradition, was isolated. The examination of Huastec stone sculptures from different periods reveals not only its links to other artistic traditions in Mesoamerica but...

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DOCUMENT Citation Only Jose Luis Ruvalcaba. Paulina Guzmán. Edgar Casanova. Miguel Angel Maynez. Isaac Rangel.

The discovery of numerous Maya-style mural painting fragments during the archaeological excavations in the Plaza of the Columns Complex of Teotihuacan, sprouted debates concerning if these murals were drawn by a Maya artist. In order to compare the pigments composition and the pictorial technique of these paintings with mural paintings from the Maya area from the Classic Period, a non-invasive characterization of the thin ground layer of stucco and the pigments used in the painting discovered...

DOCUMENT Citation Only Emily Kaplan Emily Kaplan. Leah Bright.

This is an abstract from the "From Materials to Materiality: Analysis and Interpretation of Archaeological and Historical Artifacts Using Non-destructive and Micro/Nano-sampling Scientific Methods" session, at the 84th annual meeting of the Society for American Archaeology. Two mid-16th century Mexican pictographic documents in the collection of the National Museum of the American Indian, a codex on amate paper from the Valley of Mexico and a lienzo on a large cotton textile from Puebla, have...

DOCUMENT Citation Only Thania Ibarra. Aurelio López Corral.

Textile production had a pivotal role among Late Postclassic societies including ancient Tlaxcallan, a prominent altepetl of the Puebla-Tlaxcala region. Several scholars have studied prehispanic cloth and garments production based on 16th century historical sources, but using little archaeological evidence. In particular, poor attention has been paid on the technology of textile production based on archaeological artifacts, especially in relation to spinning techniques and the different fibers...

DOCUMENT Citation Only Angel González López. Lorena Vázquez Vallín.

This is an abstract from the "The Flower World: Religion, Aesthetics, and Ideology in Mesoamerica and the American Southwest" session, at the 84th annual meeting of the Society for American Archaeology. One of our primary sources of descriptive information about the Flower World comes from Central Mexican colonial historical documents. While ethnohistorical accounts have portrayed this world with shared beliefs of the floral paradise, this paper provides a complementary scenario, by...

DOCUMENT Citation Only Joshua Englehardt. Michael Carrasco.

This is an abstract from the "Sculpture of the Ancient Mexican Gulf Coast, Part 1" session, at the 86th annual meeting of the Society for American Archaeology. Through the lens of “conceptual convergence,” we examine the multiple symbolic strands that inform specific Gulf Coast sculptural images, focusing especially on the Tenaxpi Egg/Homshuk sculpture. This sculpture, excavated on Tenaxpi Island in Lake Catemaco, shows a figure sculpted on an egg-shaped stone. This image likely references...

DOCUMENT Citation Only Marion Forest. Andrew Somerville. Claudia María López Pérez. Jennifer Saumur.

This is an abstract from the "Interactions during the Epiclassic and Early Postclassic (AD 650–1100) in the Central Highlands: New Insights from Material and Visual Culture" session, at the 89th annual meeting of the Society for American Archaeology. Interregional relations are widely documented for Classic period Teotihuacan (AD 1–600), where a rich and extensive network of goods, people, and ideas connected the ancient city with the rest of Mesoamerica. After its political collapse at about...

DOCUMENT Citation Only Adje Both.

This is an abstract from the "Music Archaeology's Paradox: Contextual Dependency and Contextual Expressivity" session, at the 86th annual meeting of the Society for American Archaeology. The Teotihuacan Sound Mapping Project explores the role that sound and music played in the ancient urban environment of the site. The sound tools and musical instruments of Teotihuacan are re-created and played in different architectural settings, and the instrumental and architectural acoustics subsequently...

DOCUMENT Citation Only Annabeth Headrick.

This is an abstract from the "SAA 2024: Individual Abstracts" session, at the 89th annual meeting of the Society for American Archaeology. Teotihuacan exhibits a broad trend of shared wealth, exhibited by numerous luxurious apartment compounds whose residents accessed considerable quantities of valuables, as reflected by portraiture of richly clad mid-elites and the mass production of costume elements. Chichen Itza similarly eschewed royal portraiture in favor of works portraying group...

DOCUMENT Citation Only Citlali Rosas Jiménez.

This is an abstract from the "SAA 2024: Individual Abstracts" session, at the 89th annual meeting of the Society for American Archaeology. Desde hace varios años se desarrolla un estado de riesgo de pérdida parcial patrimonial en Teotihuacán. Si bien existe un marco normativo en materia de protección de patrimonio cultural arqueológico para Teotihuacán, este se encuentra desarraigado socialmente, derivado de acciones que muestran principalmente la falta de identidad, apreciación y...

DOCUMENT Citation Only Caitlin Buck. James Zeidler.

This is an abstract from the "Constructing Chronologies II: The Big Picture with Bayes and Beyond" session, at the 86th annual meeting of the Society for American Archaeology. The radiocarbon record from sustained archaeological field research in the Jama Valley of coastal Ecuador has provided a robust dataset for Bayesian chronological modeling using multiple archaeological sites from a valley-wide landscape. This paper delves into greater detail on the development of the model’s prior...

DOCUMENT Citation Only Pedro Urquijo.

This is an abstract from the "Landscapes: Archaeological, Historic, and Ethnographic Perspectives from the New World / Paisajes: Perspectivas arqueológicas, históricas y etnográficas desde el Nuevo Mundo" session, at the 86th annual meeting of the Society for American Archaeology. Through a geographical and historical analysis, we propose to interpret the territorial and ritual organization of the landscapes in the Colombino Codex, which alludes mainly to the heroic feats of Lord 8 Venado...

DOCUMENT Citation Only María Eugenia Maldonado Vite. Kim Richter.

This is an abstract from the "Textile Tools and Technologies as Evidence for the Fiber Arts in Precolumbian Societies" session, at the 84th annual meeting of the Society for American Archaeology. During the Postclassic period, the Huasteca region along the northeastern Gulf Coast was an important producer of textiles made of zapupe (the local name for ixtle, that is, agave or yucca plant fibers) and especially cotton as evidenced in early colonial manuscripts, such as the Codex Mendoza and...

DOCUMENT Citation Only Danny Zborover. John Pohl.

This is an abstract from the "After Cortés: Archaeological Legacies of the European Invasion in Mesoamerica" session, at the 84th annual meeting of the Society for American Archaeology. Recent studies show that the Spanish conquest of the Oaxacan Pacific Coast was shaped, and even orchestrated, by indigenous kingdoms (Zapotecs, Mixtecs) and allied groups (Pochutecs, Chontal) that vied for control over key trading ports. These same indigenous players continued their cycles of conflicts,...

DOCUMENT Citation Only Thania Ibarra. Lane Fargher. Aurelio Lopez Corral.

This is an abstract from the "Tlaxcallan: Mesoamerica's Bizarro World" session, at the 84th annual meeting of the Society for American Archaeology. Archaeological excavations undertaken by the Tlaxcallan Archaeological Project have recovered an important sample of spindle whorls from Late Postclassic – Early Colonial (1420 -1540 A.D.) domestic contexts in Ocotelulco, a subsection of the urban site of Tlaxcallan, Mexico. In this paper, we present the results of the analysis of identified whorl...

DOCUMENT Citation Only María Andrea Celis Ng Teajan. José Ignacio Hernández Juan.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. La región de Capoacan, al margen del río Uxpana, a pesar de ser distinguida por ser el lugar de hallazgo de la escultura conocida como "El Luchador", definida por los arqueólogos como de tradición Olmeca, ha sido un área poco estudiada. Por tal motivo, en el año 2017 dio inicio una investigación sistemática, que continuó en 2018 por medio de un programa de...

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DOCUMENT Citation Only Ariel Texis. Shigeru Kabata. Tatsuya Murakami.

Using ceramics as a proxy for social contact, we discuss a long history of interregional interactions of Tlalancaleca with other areas during the Formative Period. We have observed some clear changes of ceramic assemblages in the transitions between the Middle, Late, and Terminal Formative (or between the Texoloc, Tezoquipan, and Late Tezoquipan phases). While we do not imply that the presence or absence of certain ceramic traditions serves as direct indicators for political control, it is...