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En antropología, la muerte es considerada un hecho natural universal con expresiones socioculturales fundamentadas en la cosmogonía de cada grupo humano, y es a través de los rituales funerarios que se marca la conexión simbólica entre la vida y la muerte, que se expresa tanto en el plano material-biológico (cadáver y lugar de destino final) como en el espiritual (trascendencias, creencias y escatología); en tanto que, la muerte, como hecho objetivo y como hecho cultural ritualizado, delimita el...
Cosmological Practice and Social Complexity in North and Central Mexico (2007)
To our minds the most interesting issue that emerges from juxtaposing the cosmologies of northern and central Mexico is the relationship between cosmology and social complexity. The regions were historically related and shared both broad structures many details of cosmology. Yet Central Mexican societies had undergone an urban transformation that the societies of northern and western Mexico had not experienced. In our view there are scale-dependent regularities in the material expression of...
Cosmologies of Ruins and Ruination: Infrastructures and the Anthropocene (2018)
Scientists debate the Anthropocene as a geological epoch. But as a cultural phenomenon, the Anthropocene is recent. And as a cultural phenomenon, the Anthropocene projects a cosmology across history. This paper specifically examines how this cosmology understands the materiality of infrastructures, the built substrate upon which networks of human and non-human worlds intersect and collide. I argue that this cosmology contrasts infrastructures of the recent past as dangerous and polluting against...
Cosmology at Home: Ritual Caching within the Residences of Late Preclassic Noh K’uh, Chiapas Mexico (2021)
This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. The Late Preclassic (400 BC - A.D. 200) site of Noh K'uh is located in the Mensäbäk basin, 30 kilometers west of the Usumacinta River. Noh K'uh was a small ceremonial center composed of several residential groups centered around a ceremonial plaza. Noh K’uh’s location near the western edge of the Maya lowlands placed the residents near contemporary...
Cosmology in the New World
This project consists of articles written by members of Santa Fe Institute’s cosmology research group. Overall, the goal of this group is to understand the larger relationships between cosmology and society through a theoretically open-ended, comparative examination of the ancient American Southwest, Southeast, and Mesoamerica.
Cosmology, Calendars and Horizon-Based Astronomy in Ancient Mesoamerica (2015)
Cosmology, Calendars, and Horizon-Based Astronomy in Ancient Mesoamerica is an interdisciplinary tour de force that establishes the critical role astronomy played in the religious and civic lives of the ancient peoples of Mesoamerica. Providing extraordinary examples of how Precolumbian peoples merged ideas about the cosmos with those concerning calendar and astronomy, the volume showcases the value of detailed examinations of astronomical data for understanding ancient cultures. The volume...
Costly Signaling, Cost Masking, and the Classic-Postclassic Transition: Slipped Ceramics and other Media in the Context of the Petén Lakes Region, Guatemala. (2016)
Costly signaling theory indicates that highly visible acts of public generosity and display, which exact costs not easily recouped, however, can provide social benefits to those engaged in such acts. Such signaling is associated with the strength or fitness of the provider. Analyzing slipped and fineware ceramics in display contexts, and obsidian use and architecture, this presentation explores how Maya elites and rural sub-elites engaged in costly signaling and modified their actions by cost...
Costumbres funerarias en la época del contacto en la Huasteca Potosina (2019)
This is an abstract from the "Approaches to Cultural and Biological Complexity in Mexico at the Time of Spanish Conquest" session, at the 84th annual meeting of the Society for American Archaeology. El contexto funerario de una mujer adulta nos muestra que, dentro de las conductas funerarias presentes entre las élites de Tamtoc, era tradicional ataviar al individuo con lujosos bienes procedentes de muy diversas regiones. Las costumbres funerarias y el estudio sobre el origen de los objetos de...
Cotzumalguapa's Lithic Industry: Procurement, Production, and Distribution of Obsidian Artifacts of a Late Classic Mesoamerican Polity (2018)
Procurement, production, and distribution of raw materials loom large in discussions of prehistoric economies. Over the past three decades surface survey and excavations in and around the Late Classic polity of Cotzumalguapa revealed the presence of several obsidian dumps, the result of a large-scale lithic industry. These deposits contain production debitage from most phases of blade-core reduction but no nodules and relatively very little cortex, suggesting that obsidian came into...
The Country and the City: Explorations of the Relationship between Río Amarillo and Copan, in the Copan Valley, Honduras (2018)
Cities and the communities in their hinterlands are inextricably linked, and yet the objectives of their inhabitants can be starkly different. The archaeological sites of Río Amarillo and Quebrada Piedras Negras shared a fertile plain along the Río Amarillo and Río Blanco Rivers. Several scholars have suggested that the arable fields here may have acted as a bread basket for the urban center to their west. Research at Rio Amarillo has yielded evidence of strong ties to Copan including...
Coyolxauhqui’s Serpents (2019)
This is an abstract from the "Animal Symbolism in Postclassic Mesoamerica: Papers in Honor of Cecelia Klein" session, at the 84th annual meeting of the Society for American Archaeology. This study focuses on questions about serpents and gender associations in Aztec art--questions raised by a ceramic fragment located in storage in the Brooklyn Museum. On it Coyolxauhqui, the enemy of the Aztecs’ supernatural patron, Huitzilopochtli, is depicted with two different types of imaginary serpents, a...
The Cozumel Bee People, Social Ecology, and Landscape Management during the Late Maya Postclassic (2024)
This is an abstract from the "Adventures in Beekeeping: Recent Studies in Ecology, Archaeology, History, and Ethnography in Yucatán" session, at the 89th annual meeting of the Society for American Archaeology. Landscape management in Cozumel during the Late Postclassic resulted in a network of stone walls (albarradas) demarcating the entire island resembling the structure of a beehive. This paper presents a comparison of some features of the social ecology of Yucatec stingless bees and the...
Craft Production and Economic Integration in Hinterland Households (2021)
This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. Economic integration in hinterland communities has often been under theorized in Maya studies. Here I explore the evidence of craft production in several hinterland households as well as the implications for connections with social, political, and economic institutions. Households make decisions about crafting activities and respond to risks and stressors both...
Craft Specialization in the Hinterland: Lithic Tool Production within Dispersed Urban Landscapes at El Palmar (Campeche, Mexico) and across the Maya Lowlands (2021)
This is an abstract from the "SAA 2021: General Sessions" session, at the 86th annual meeting of the Society for American Archaeology. Dispersed urban landscapes are mosaics of individual interactions generated through a range of social and economic processes. Large-scale lithic production provides a lens for understanding the interconnected nature of economies between hinterland communities and central polities, yet it remains relatively underexplored in Classic period Maya society (AD...
Crafting Chert Commodities at Santa Cruz, Yucatan, Mexico (2023)
This is an abstract from the "An Exchange of Ideas: Recent Research on Maya Commodities" session, at the 88th annual meeting of the Society for American Archaeology. This paper discusses chert crafting at the site of Santa Cruz in northern Yucatan. Santa Cruz was a small town located only about 25 km from both Chichen Itza and Ek Balam and occupied almost exclusively during the Late/Terminal Classic period when both these cities were at their height. Surface collections in 2017 and...
Crafting Human/Hieroglyph Relationships in Classic Maya Contexts (2019)
This is an abstract from the "Crafting Culture: Thingselves, Contexts, Meanings" session, at the 84th annual meeting of the Society for American Archaeology. The study of Classic Maya hieroglyphic writing (ca. AD 250-900, Mexico and Central America) has yielded rich understandings of texts in recent years through increasingly nuanced ways of reading, contextualizing, and interpreting hieroglyphs. Beyond examining hieroglyphic texts as culturally contextualized documentary sources, however,...
Crafting in a Non-elite Maya Household at Holtun, Guatemala (2023)
This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. The site of Holtun, in the central lakes region of the Maya lowlands, was occupied from the Preclassic through the Postclassic. Over 30 residential groups make up the northern settlement area on the periphery of Holtun where most of these surface residential structures date to the Late Classic and Terminal Classic periods. The non-elite household...
Crafting, Identity, and Power: A Comparative Analysis of Late Postclassic Facial Adornment Use in Central Mexico (2017)
In pre-Hispanic Mesoamerica, individuals from diverse regions and social classes deployed facial adornments, such as ear spools and lip plugs, to materialize concepts of identity. Specifically, recent archaeological research at the Late Postclassic (AD 1250 to 1521) city of Tlaxcallan provides new insights into the role of facial adornments in a highly collective society. Tracing material sources reveals the inter-workings of regional and local economic interactions and local sociopolitical...
Crafting, Ritual, and the Constitution of Rural Complexity: Household and Community Practices of Distinction and Affiliation at Chunhuayum, Yucatán (2018)
As Maya archaeology has shifted away from urban-centric perspectives, recent research demonstrates that hinterland populations, like urbanites, were involved in diverse and shifting practices enabling them to build and negotiate complex relationships. Using a community approach, this paper examines non-agrarian activities practiced during the late Early and Late Classic (ca. 500 – 850 AD) by residents of Chunhuayum, a small yet socioeconomically diverse farming settlement located in northwest...
Crafting, Sharing, and Representing: The Molds and Figurines of Calakmul, Mexico (2019)
This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Three-dimensional multi-line laser scanning reproduces highly accurate models that preserve measurable characteristics of portable artifacts such as figurines, whistles, stamps, and molds. Metrological analyses are revealing valuable information about manufacturing techniques, the crafter’s tool kit, the function of these artifacts, and the extent of...
Cranial Vault Modification in the Mariana Islands (2018)
Cultural flattening of the posterior skull, rare in the Mariana Islands, was recently observed in multiple human skeletons from a Latte Period site in Guam. Prior to this study, only one case of possible artificial cranial modification was reported for this region. The cranium of a young adult female from Songsong Village, Rota, was described as having "asymmetrical deformation in the occipital region consistent with artificial shaping practices." In a review of the ethnohistoric literature,...
Cream Wares of the Southeast Maya Periphery (2017)
Since publication on the compositional analyses of Copan ceramics by Bishop and Beaudry in 2004 several scholars have addressed the manufacture and distribution of cream wares similar to those that are found at Copan. The additional accumulation of data usually results in more insights and better source attributions, but at times the complexities of compositional analysis can mislead interpretation. This paper presents highlights of greatly extended sampling and uses a geochemical perspective...
Creating a Case for a Classic Period Provincial Polity at Pacbitun, Belize (2018)
The Late Classic period (AD 550 – 800) at Pacbitun, Belize brought about heightened prosperity evinced in a surge of architectural development and an increase in precious exotic materials. However, despite continued growth, by the close of the Late Classic Pacbitun’s affluence appears to have diminished considerably. To the north, settlements of the Belize River Valley also seemingly undergo a concomitant florescence and economic decline. Research suggests the pecuniary instability of the Belize...
Creating a New World: Large-Scale Landscape Modifications at Aguada Fenix, Mexico (2023)
This is an abstract from the "2023 Fryxell Award Symposium: Papers in Honor of Timothy Beach Part I" session, at the 88th annual meeting of the Society for American Archaeology. The recently discovered site of Aguada Fenix in eastern Tabasco, Mexico, is one of the largest monumental constructions in Mesoamerica. It dates to the beginning of the early Middle Preclassic, around 1100 BC. The main complex consists of a rectangular plateau with an E-Group at its center and is delimited by 20 large...
Creating and Curating a 3D Dataset: Establishing Categories for Ancient Maya Musical Instruments Using 3D Scans (2017)
The Maya Music Project is dedicated to documenting ancient Maya musical instruments throughout the Maya area. Over the past year and a half the project has been documenting instruments housed in both archaeological laboratories and museums in Guatemala, Belize, and the United States in order to better understand the types of musical instruments that were played by the ancient Maya. At the time of writing this abstract, the project has worked with over 250 musical instruments, and has made 3D...