Rock Art (Other Keyword)
176-200 (209 Records)
Re-illustration of the well-known cave paintings at Oxtotitlán, Guerrero, Mexico has revealed important new iconographic details. The use of multispectral imaging, as well as direct observation following recent conservation work, contributed to re-visioning the artworks with increased clarity and accuracy to the originals. This paper will present new renderings of the Olmec-period paintings and summarize observations on artistic practice and iconographic significance that resulted from this...
Strat is where its at: Analyzing and Managing Complex Mural Stratigraphy at Rattlesnake Canyon, TX (2016)
Pecos River style murals are highly-ordered, complex compositions of layered figures composed of different pigments. Through analysis of sequential ordering and stratigraphic relationships of these figures, researchers can gain insights into the technical history of a mural and the artistic and cognitive processes that led to its creation. The Pecos River style mural in Rattlesnake Canyon spans 32 meters and contains more than 250 finely-executed, polychromatic figures. Shumla is investigating...
Subjectivity and the recording of palaeolithic cave art (1992)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
Symbolic behavior at the end of the Paleolithic: a view from Cantabrian region rock art (2017)
In the field of graphic activity, the recent Magdalenian (14,500-11,500 BP) is characterized by a homogenizing process along a vast territory in southwestern Europe. It also represents the most splendorous rock art period and, at its end, figurative graphic activity suddenly disappears from Europe for millennia. A representative assemblage of recent Cantabrian Magdalenian rock art sites has been studied. The results of this research led to the discovery of several unpublished figures and...
Taking a Byte out of Rattlesnake: An Overview of the Rattlesnake Canyon Project (2016)
The Rattlesnake Canyon mural represents one of the most well-preserved and compositionally intricate rock art murals in the Lower Pecos Canyonlands, and perhaps the world. Deposited gravels from a major flood episode in June 2014, however, raised the canyon floor approximately 10 feet, enabling future floods to destroy the fragile panel. The Rattlesnake Canyon Project is an emergency collaborative effort among Texas Tech University, the National Park Service, and Shumla to document this...
The Tale of Rattlesnake Canyon: Ongoing Documentation of an Endangered Rock Art Site (2017)
The Rattlesnake Canyon mural represents one of the most well-preserved and compositionally intricate rock art murals in the Lower Pecos Canyonlands, and perhaps the world. Deposited gravels from a major flood episode in June 2014, however, raised the canyon floor approximately 10 feet, enabling future floods to destroy the fragile panel. This presentation provides an update on emergency documentation efforts currently underway at Rattlesnake Canyon. Documentation and analyses of this mural...
A Tale of Two Management Plans: Comparing Visitor Impacts to Rock Art Sites on National Park Service Land vs. San Bernardino County Land (2017)
On July, 6 2016 it was announced that management of the Coyote Hole rock art site located near the village of Joshua Tree, California would be transferred from the San Bernardino County Flood Control District to the Native American Land Conservancy. The site’s proximity to Joshua Tree National Park (JOTR) provides a unique opportunity to compare this highly-accessible site with unregulated visitation to similarly threatened sites that are managed by JOTR. The publication of sensitive...
Talking Stone: Cherokee Syllabary Inscriptions in Dark Zone Caves (2016)
Caves have offered the Cherokee people concealment before and after contact with Europeans. With the invention of Sequoyah’s Syllabary a way to record these hidden activities became available. A number of caves in the Southeastern United States contain such historical inscriptions and interpreting these can tell archaeologists about who made them and when they were made. This paper considers several such inscription caves, located in the area of North Alabama, North Georgia, and southeastern...
Taming the Beast: Rock Art Data Management and Archival Strategies (2015)
One of the most important, yet often neglected, components of any archaeological project is what happens outside of the field—processing the data. Without meticulously organizing and archiving the data we collect, these fast accumulating pieces of information become no more useful than a pile of papers pushed to the corners of our desks. Worse yet, irreplaceable data could be lost. Shumla Archaeological Research and Education Center is taking measures to avoid this pitfall by developing methods...
Through a Mirror, Darkly: Using Multi-Sensor Imaging Surveys as Basic Data for 3D Spatial Analysis of Cave and Open-Air Rock Art (2016)
This paper explores and compares how quantitative spatial analysis of cave and open-air rock art can be derived from high-resolution, multi-sensor 3D digital reconstructions. For this project, three different types of survey data were collected at four prehistoric cave and rock art sites within the southern Cumberland Plateau of eastern North America. The project survey methods include close-range photogrammetry, high-density laser scanning, and near-infrared (NIR) multispectral imagery. The...
Timelapse Photographic Documentation of Archaeoastronomical Sites (2019)
This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Horseshoe Mesa (WS834) in the Ancestral Puebloan Crack-in-Rock Community of Wupatki National Monument, Arizona, has three petroglyph panels that mark important solar events. Timelapse cameras documented the daily patterns of these interactions from September 2016 to March 2018 at two of the panels. Panel 39 uses carefully placed petroglyph elements to interact...
Tobacco Related Imagery in Montana and Wyoming (2017)
Pictographs and a few petroglyphs of tobacco plants, tobacco gardens and tobacco headdresses are found at a dozen sites across Montana and Wyoming. Very similar images painted on Crow Indian Tobacco Society pipe bags, moccasins and other clothing strongly suggest the pictographs and petroglyphs were made by the Crow. High concentrations of tobacco pollen at one site suggest it was the location of a tobacco garden
Two Independent Methods for Dating Rock Art: Age Determination of Paint and Oxalate Layers at Eagle Cave, TX (2016)
Using two independent methods, we provide reliable age estimates for three Pecos River Style figures at Eagle Cave in Langtry, TX. To obtain direct dates for the paintings, we employed plasma oxidation of the organic binders in the paint layer followed by accelerator mass spectrometry. For minimum and maximum ages, we acid treated the overlying and underneath accretion layers to isolate calcium oxalate for combustion and 14C measurement. The radiocarbon dates for the three paint samples are...
UAS Vehicles (Drones) and the Documentation Rock Art Effigies on the Great Plains (2016)
The identification and documentation of anthropomorphic rock art effigies on the Great Plains of North America has long been a compelling yet understudied area of research for archaeologists and anthropologists. The recent advent of new technologies, like UAS vehicles (Drones) have enabled new ways for researchers to gather data on such sites and identify locations adapting photogrammetric and remote sensing techniques alongside traditional site documentation practices. The research presented...
UNDERSTANDING VARIATION: STYLISTIC ETHNOGRAPHIC ANALYSIS OF ROCK ART FROM THE MAKGABENG PLATEAU, LIMPOPO PROVINCE, SOUTH AFRICA (2015)
The use of style is in its infancy in southern African rock art studies with work on style originating with broad generalisations which linked modes of subsistence, material culture and lifeways to style. Recent studies have focused on regional art traditions. The author presents a research case study that advocated for the use of style as praxis. Looking at specific depictions of cross-cultural motifs from the Makgabeng plateau, South Africa, this paper explores the intricate spatio-temporal...
Unusual Pictography in Coso Rock Art
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.
Use of Old Photos in Rock Art Recording and Analysis: The Adams Collection of Central Wyoming (2016)
Historic photographs are particularly useful in rock art studies for assessing early and changing site conditions that show effects, rates, and chronology of natural weathering and vandalism. This includes such alterations as removed and added figures, altered figures, entire affected panels, chalking, latex recording, and deleterious effects of well-intentioned physical conservation. Such changes indicate not only physical changes in the art but also influences on possible direct dating and...
Using GIS in Archaeological Research: A New Look at Hunting Rock Art Sites (2015)
Place, space, and movement are core concepts for analyzing how cultural behaviors of traditional hunting societies shape a landscape. Sites mark the use of a landscape and connect people to particular events, movements, or places on this landscape. Analysis of rock art must consider who created and used this art and the roles it played in shaping landscape use. Panels depicting hunting scenes have been recorded at communal hunting sites, in rockshelters that served as habitation areas, and as...
Using Rock Art as a Medium for Teaching STEM Concepts (2018)
As budgets grow slimmer and curricula become more rigid, teachers are often faced with the necessity to either eliminate or limit the number of school fieldtrips. With tightened budgets teachers are compelled to choose which fieldtrips to retain and which ones to eliminate. These choices are often based on cost, availability of transportation, or are based on what the teacher hopes students will gain from the experience. The goals of the fieldtrip generally align with the educational...
Using Rock Art to Infer the Migration of Peoples (2015)
The Great Mural rock art region of Baja California is unique in several ways. The content and style of the art is severely constrained and well differentiated from other nearby rock art styles. Within the Great Mural region there is some variation over time and space. This variation combined with the overall conservative nature of the art allows for inferences about the movement of people making the art. There are stylistic elements of Great Mural panels in the Sierra de San Borja that indicate...
VAFB-2010-06: Rock Art Monitoring and Maintenance Reports Oct 2009 - July 2010 (2009)
This document is a Rock Art Monitoring Report for the 14 rock art sites that exist with Vandenberg Air Force Base boundaries. The purpose of Rock Art Monitoring is to 1) ensure Archaeological Resources Protection Act (ARPA) Compliance, 2) preserve and protect the unique cultural resources, and 3) monitor any threats to the rock art sites and recommend maintenance responses. The assessment report presents the findings, actions, and recommendations developed through scheduled monitoring and...
Volcanic Tableland Rock Art: Research and Management in the Western Great Basin (2015)
The Volcanic Tableland north of Bishop, California has been the focus of significant previous research (e.g. Bettinger, Basgall, Giambastiani), which has been mobilized by proactive BLM Archaeologists (E. Levy, K. Halford, and G. Haverstock) to generate a predictive model for managing cultural sensitivity against recreational impacts. Further innovation has been the use of specialized rock art recorders (represented by Western Rock Art Research) to document the petroglyphs and petroglyphs of...
Vänsterhänta trollkarlar vid Nämforsen (1989)
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the...
Warrior Art, Osteological Evidence of Violence, and Colonial-Era Changes in Warfare and Male Status on the Western Great Plains (2023)
This is an abstract from the "Beyond “Barbarians”: Dimensions of Military Organization at the Bleeding Edge of the Premodern State" session, at the 88th annual meeting of the Society for American Archaeology. Indigenous Plains warfare is one of the anthropological archetypes of tribal war, often seen as just as much of a status-related game as real violence directed toward larger social and political ends. This view misrepresents colonial-era warfare by focusing on only one aspect social...
Watch out for rocks: a GIS and Agent-Based Modeling approach to the rock art of Northwestern Iberia (2015)
Geographic Information Systems and high-resolution cartography (LIDAR), together with Agent-Based Modeling, are used for assessing the traditional view of open-air rock art as an active element in the shaping of the prehistoric landscape. Petroglyphs have been usually thought to play a major role in the configuration of the different significations of the prehistoric landscapes, their location repeatedly analyzed in terms of spatial proximity with paths and resource-rich areas that would have...