senses (Other Keyword)

DOCUMENT Citation Only Rui Gomes Coelho.

In his 1986 travel memoir Amérique, Jean Baudrillard defined America as a constant flow of things: cars and highways, screens and electricity, rivers and geological silence. Everything flows as if the continental vastness of the U.S. could be reduced to a smooth surface that flattens historical time. The result is a landscape defined by regular surfaces that are symmetrical to the predictability of social practices. In this paper, I argue that America’s flow of things has a genealogy, and that...

DOCUMENT Citation Only Sanna Lipkin. Erika Ruhl.

The sensory experiences create emotions that are culturally constructed and constituted. In order to understand how individuals were mourned, it is important to examine the ritual of preparing the dead for burial. The ritual is packed with sensory experiences, for instance the smell of death and sight of the coffin. Through examining Post-Medieval Finnish funerary material (textiles, accessories, coffins), this paper will sense by sense demonstrate the experiences of those individuals that took...

DOCUMENT Citation Only Robin Skeates.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. This presentation defines and evaluates some the key concepts and debates in sensory archaeology, arguing that this field is necessarily a work in progress. Today, there is a growing archaeological interest in the senses, experience and perception; but are we justified in calling for or claiming a ‘sensory turn’ in archaeology? And, besides seeking to...

DOCUMENT Citation Only Megan O'Neil.

This is an abstract from the "Polychromy, Multimediality, and Visual Complexity in Mesoamerican Art" session, at the 86th annual meeting of the Society for American Archaeology. Examining multiple media, this paper addresses depicted and actual surfaces in ancient Maya art in order to explore artistic engagements with surface, texture, and the sense of touch. It considers, for example, how certain artists rendered bodies, objects, and materials in manners conveying the look and feel of...

DOCUMENT Citation Only Jeremy Coltman.

For the ancient Maya, the landscape was wild, untamed, and dotted with caves, which were the darkest of spaces. On an empirical level, caves can reveal the ancient Maya experience of intimate darkness and nullified senses. Such experience belonged to the night, which was fraught with danger, temporally distant, and inhabited by a cast of anti-social beings. These beings belonged to the wilderness and dark forests that lacked internal order and spatial division. Much like the concept of chaos in...

DOCUMENT Citation Only Steve Mills.

Walking with Ruth Tringham has always been a social and intellectual adventure. I have been fortunate to have the opportunity to muse on past ways of life while walking with Ruth at a range of different heritage sites in the U.S., Bulgaria and Turkey. Important themes we engaged with during these walks included: exploring different ways to approach contemporary senses of place, thinking about how senses of place may have been significant to prehistoric people, and how to (re)mediate these ideas...

DOCUMENT Citation Only Marc Levine. Alex Badillo.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. Despite increasing scholarly interest in the role of plazas in prehispanic Mesoamerica, we still have a relatively incomplete understanding of what actually occurred in such places. In this paper, we address this vexing question for the Main Plaza at Monte Albán in Oaxaca, Mexico. Our study draws on data from recent fieldwork on the Main Plaza, including...