Iconography and epigraphy (Other Keyword)

DOCUMENT Citation Only Rex Koontz.

This is an abstract from the "Sculpture of the Ancient Mexican Gulf Coast, Part 2" session, at the 86th annual meeting of the Society for American Archaeology. As part of a larger study on Classic Veracruz fragmented bodies and sculptures, I sketch two case studies of contexts in which fragmented yokes, decapitated heads, and figurine body fragmentation come together in Protoclassic and Early Classic Tres Zapotes and Cerro de las Mesas.

DOCUMENT Citation Only Cherra Wyllie.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Tuxtlas Polychrome ceramics of south-central Veracruz, Mexico occupy a visible presence in precolumbian museum collections. Boldly rendered deities and zoomorphic figures are the focal point of bowls, plates, and vases, their images alluding to a complex supernatural world. While well represented among the corpus of Classic Veracruz artifacts, these vessels...

DOCUMENT Citation Only Arturo Pascual Soto.

This is an abstract from the "The Movement of People and Ideas in Eastern Mesoamerica during the Ninth and Tenth Centuries CE: A Multidisciplinary Approach Part I" session, at the 88th annual meeting of the Society for American Archaeology. La historia de los primeros años del Epiclásico (ca. 750-850 dC) en El Tajín, Veracruz, no es sólo la historia de esta antigua ciudad. Hay toda una serie de factores que participan de ella en distintos momentos de su desarrollo cultural. Varios de ellos se...

DOCUMENT Citation Only Michael Terlep.

This is an abstract from the "SAA 2024: Individual Abstracts" session, at the 89th annual meeting of the Society for American Archaeology. Researchers, most recently Crown and colleagues (2016), have long highlighted the significance of polydactyly (having more than five digits on a hand or foot) within rock imagery and material culture across Mesoamerica and the American Southwest. Anthropomorphic and zoomorphic figures displaying polycephaly (multiple heads) is another frequent depiction...

DOCUMENT Citation Only Victoria Evans. Linda Gregonis.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. All cultures use symbols to convey ideas. In archaeological contexts those symbols have become ways to define and differentiate archaeological cultures. But what did the symbols mean to the artisans who created them? The art that Hohokam craftspeople produced embodied the world (seen and unseen) as they understood it. They were influenced by weather, animals...

DOCUMENT Citation Only Diego Matadamas Gomora. Angel Gonzalez Lopez.

This is an abstract from the "Crossing Boundaries: Interregional Interactions in Pre-Columbian Times" session, at the 84th annual meeting of the Society for American Archaeology. Many images in the iconographic corpus from Pre-Hispanic Basin of Mexico belong to forms which were created and reproduced either in codices, mural painting, ceramics, and sculpture. Some examples are the attires of deities, specific icons used to represent natural elements, like rain, comets, even the Sun, and...

DOCUMENT Citation Only Ewa Dutkiewicz. Sibylle Wolf. Nicholas J. Conard.

This is an abstract from the "Culturing the Body: Prehistoric Perspectives on Identity and Sociality" session, at the 84th annual meeting of the Society for American Archaeology. The human body plays a significant role in constructing identity. According to Bourdieu (1974, 1976), the habitus, displays the social status and the role of the individual within a society. Group membership manifests itself with symbols like personal ornaments, the choice of emblematic objects, and their...

DOCUMENT Citation Only Christopher Pool.

This is an abstract from the "Coffee, Clever T-Shirts, and Papers in Honor of John S. Justeson" session, at the 88th annual meeting of the Society for American Archaeology. The greenstone figure known as the Tuxtla Statuette is significant as one of 12 objects with an Epi-Olmec text, and the first to be described in the scholarly literature. For over a century it was misidentified as having been recovered from the Sierra de los Tuxtlas, near the town of San Andrés Tuxtla, Veracruz. The author...

DOCUMENT Citation Only Patricia McAnany.

This is an abstract from the "Decipherment, Digs, and Discourse: Honoring Stephen Houston's Contributions to Maya Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. Theory—the workhorse of evidence—is a powerful engine that can revolutionize understanding or create a huge misstep. To theorize the past is to generalize principles and processes of human practice that surpass cultural boundaries. By participating in these larger networks of meaning,...

DOCUMENT Citation Only John Hoopes.

This is an abstract from the "Unraveling the Mysteries of the Isthmo-Colombian Area’s Past: A Symposium in Honor of Archaeologist Richard Cooke and His Contributions" session, at the 89th annual meeting of the Society for American Archaeology. Richard Cooke's pioneering studies in zooarchaeology of the Neotropics have redefined the way that archaeologists, art historians, ethnohistorians, and ethnographers utilize data from faunal remains, not only in the reconstruction of past environments,...

DOCUMENT Citation Only Marc Zender.

This is an abstract from the "The Rollout Keepers: Papers on Maya Ceramic Texts, Scenes, and Styles in Honor of Justin and Barbara Kerr" session, at the 89th annual meeting of the Society for American Archaeology. Paleography (from Greek παλαιό- ‘old’ and γράφε ‘writing’) was long understood as the study of the origins and development of signs (e.g., De Montfaucon, Paleaeografica Graeca, 1708), but since the welcome focus on ductus (i.e., shape, stance, and stroke-order in sign-formation)...

DOCUMENT Citation Only Elizabeth Aguilera. Emily Umberger.

This is an abstract from the "Animal Symbolism in Postclassic Mesoamerica: Papers in Honor of Cecelia Klein" session, at the 84th annual meeting of the Society for American Archaeology. This study focuses on questions about serpents and gender associations in Aztec art--questions raised by a ceramic fragment located in storage in the Brooklyn Museum. On it Coyolxauhqui, the enemy of the Aztecs’ supernatural patron, Huitzilopochtli, is depicted with two different types of imaginary serpents, a...

DOCUMENT Citation Only Sarah Jackson.

This is an abstract from the "Crafting Culture: Thingselves, Contexts, Meanings" session, at the 84th annual meeting of the Society for American Archaeology. The study of Classic Maya hieroglyphic writing (ca. AD 250-900, Mexico and Central America) has yielded rich understandings of texts in recent years through increasingly nuanced ways of reading, contextualizing, and interpreting hieroglyphs. Beyond examining hieroglyphic texts as culturally contextualized documentary sources, however,...

DOCUMENT Citation Only Kenichiro Tsukamoto.

This is an abstract from the "Regimes of the Ancient Maya" session, at the 88th annual meeting of the Society for American Archaeology. Spatial and temporal heterogeneity of office titles and architectural styles in the Maya lowlands suggest that there existed diverse material, textual, and symbolic expressions that created, maintained, and modified regimes during the Classic period (ca. AD 250–900). The variation also signals that authority, power relations, legitimacy, and ideologies were...

DOCUMENT Citation Only D. Clark Wernecke.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Previous publication has dealt with the discovery of incised stones at the Gault Archaeological Site and the artifacts of early Paleoindian age. To date, the project has identified 146 stones with incised lines and designs on them from provenienced collections, unprovenienced collections and collections in private hands. The artifacts are on both limestone...

DOCUMENT Citation Only Gabrielle Vail.

Analysis of the iconography, hieroglyphic captions, and calendrical component of the Postclassic Maya codices, believed to derive from the Northern Maya Lowlands, provides important information about their possible antecedents. Portions of the Dresden Codex, for example, suggest clear links to the mural program painted on the interior of the Los Sabios structure from the site of Xultun, Guatemala, which includes a section with detailed calculations of a lunar cycle and another that may depict a...

DOCUMENT Citation Only Cristina Vidal-Lorenzo. Gaspar Muñoz Cosme.

This is an abstract from the "The Movement of People and Ideas in Eastern Mesoamerica during the Ninth and Tenth Centuries CE: A Multidisciplinary Approach Part I" session, at the 88th annual meeting of the Society for American Archaeology. In the Late Preclassic, certain buildings in the Petén region began to incorporate complex iconographic programs on their façades. The friezes with central masks, carved in limestone and covered with layers of stucco, are particularly striking examples of...

DOCUMENT Citation Only Elliot Lopez-Finn.

The Postclassic Mexica maintained what Sophia and Michael Coe (2005) refer to as a "curious ambivalence" regarding cacao: despite its prevalence in everyday life as currency, the plant rarely appears in artistic programs and consumption was highly restricted via sumptuary laws that controlled social behavior. The visual scarcity of this crop extends into divine imagery – for instance, cacao remained an important aspect of Ek’ Chuah, the Postclassic Maya merchant god, but does not appear among...

DOCUMENT Citation Only David Dye.

This is an abstract from the "Magic, Spirits, Shamanism, and Trance" session, at the 89th annual meeting of the Society for American Archaeology. Demonstrating one’s spiritual power through dramatic theatrics, based on deceptions and illusions, has long been the purview of ritual practitioners in their efforts to gain, legitimize, and maintain political and social advantages. Exclusive and secretive ritual sodalities, which often form the institutional framework for corporate-based magical...

DOCUMENT Citation Only Jesper Nielsen. Christophe Helmke. Fiorella Fenoglio.

Ever since the first attempts to explain the close correspondences (in iconography, architecture, and writing) between Chichen Itza and Tula in the Early Postclassic it has been assumed that it was mainly between these two cities, sometimes even called "twin Tollans", that the extended and intense contact between Northern Yucatan and central Mexico took place. A tendency among Mesoamericanists not to look further to the north and west, to present states such as Guanajuato and Querétaro, have...

DOCUMENT Citation Only Sandra Balanzario Granados.

This is an abstract from the "New Light on Dzibanché and on the Rise of the Snake Kingdom’s Hegemony in the Maya Lowlands" session, at the 86th annual meeting of the Society for American Archaeology. El asentamiento prehispánico de Dzibanché, se localiza en el Sur de Quintana Roo, tiene una extensión aproximada de 60 km2, superficie que incluye las áreas destinadas a la producción de alimentos y áreas habitacionales. Dzibanché fue el asiento de la dinastía Kaanu’l, durante el periodo del...

DOCUMENT Citation Only Ana García Barrios.

This is an abstract from the "A Celebration and Critical Assessment of "The Maya Scribe and His World" on its Fiftieth Anniversary" session, at the 88th annual meeting of the Society for American Archaeology. The Grolier exhibition commissioned by M. Coe in 1973 came to researchers as an inescapable reference that remains today. His studies on codex-style vessels, so defined by him, opened the door to new studies from different perspectives and approaches that are reviewed here. This study...

DOCUMENT Citation Only Elizabeth Baquedano.

This is an abstract from the "New Perspectives on Ritual Violence and Related Human Body Treatments in Ancient Mesoamerica" session, at the 86th annual meeting of the Society for American Archaeology. Prisoners of war were ritually killed by heart extraction and were often decapitated. Archaeologists at Templo Mayor found skulls with the first cervical vertebrae attached, indicating death by decapitation. Lethal weapons such as flint sacrificial knives were also found near decapitated...

DOCUMENT Citation Only Zachary Critchley.

This is an abstract from the "Seeing Wari through the Lens of the Everyday: Results from the Patipampa Sector of Huari" session, at the 84th annual meeting of the Society for American Archaeology. The 2018 Patipampa excavations at Huari resulted in the discovery of a wealth of remarkable artifacts with potentially far-reaching implications for our understanding of Middle Horizon iconography, including a small bone pendant from a possible gallery space. This bone pendant was noted for a...

DOCUMENT Citation Only William Fitzhugh.

This is an abstract from the "From the Altai to the Arctic: New Results and New Directions in the Archaeology of North and Inner Asia" session, at the 88th annual meeting of the Society for American Archaeology. The Late Bronze Age Mongolian culture known for its memorial deer stones and khirigsuur burials (DSK complex), dating to 1300–700 BCE, persists over several hundred years with little change in ritual art and architecture. Deer stones are memorials to deceased leaders that display...