Connecting Hohokam Art and Iconography
Author(s): Victoria Evans; Linda Gregonis
Year: 2019
Summary
This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology.
All cultures use symbols to convey ideas. In archaeological contexts those symbols have become ways to define and differentiate archaeological cultures. But what did the symbols mean to the artisans who created them? The art that Hohokam craftspeople produced embodied the world (seen and unseen) as they understood it. They were influenced by weather, animals they encountered, plants they grew and used, pilgrimages they made, other people they met, their ancestors. They translated their experiences into art, creating iconic motifs that were shared across a wide region. We explore how these images were shared through time in various media—pottery, shell, carved stone, and rock art—and what these symbols may have meant in the context of Hohokam identity.
Cite this Record
Connecting Hohokam Art and Iconography. Victoria Evans, Linda Gregonis. Presented at The 84th Annual Meeting of the Society for American Archaeology, Albuquerque, NM. 2019 ( tDAR id: 450041)
This Resource is Part of the Following Collections
Keywords
General
Hohokam
•
Iconography and Art
•
Iconography and epigraphy
Geographic Keywords
North America: Southwest United States
Spatial Coverage
min long: -124.365; min lat: 25.958 ; max long: -93.428; max lat: 41.902 ;
Record Identifiers
Abstract Id(s): 23565