Iconography and Art (Other Keyword)

DOCUMENT Citation Only Sharisse McCafferty. Geoffrey McCafferty.

Pacific Nicaragua has long been noted as a cultural crossroads, especially featuring historically documented migrants from central Mexico. Following ethnohistorical accounts, Nahuat speaking groups colonized the Rivas area in the Late Postclassic Ometepe period. The most prominent diagnostic ceramic of this time was Luna Polychrome, often found in mortuary contexts. This paper presents a detailed analysis of over 50 Luna vessels from the Mi Museo collection. The overarching theme of the painted...

DOCUMENT Citation Only Aleksandra Laszczka.

Castillo de Huarmey on the north coast of Peru is an archaeological site of pre-Hispanic Middle Horizon period (AD 600-900), widely known for the discovery of the first undisturbed Wari royal mausoleum. From 2012-2013 remains of fifty-eight elite female individuals were found accompanied by rich ceremonial offerings and grave goods, including textiles. The state of preservation and the condition of a large portion of the fabrics are poor, especially those coming from the primary burial contexts....

DOCUMENT Citation Only Shawn Lambert. Timothy Perttula. Nilesh Gaikwad.

This is an abstract from the "Dancing through Iconographic Corpora: A Symposium in Honor of F. Kent Reilly III" session, at the 86th annual meeting of the Society for American Archaeology. Recent absorbed residue studies have confirmed that ceramic and shell containers were used for consuming Datura in precolumbian times. Until now, no one has identified what tools precolumbian people used to produce a concentrated hallucinogenic concoction. In this study, we used mass spectrometry to...

DOCUMENT Citation Only Polly Schaafsma.

The Tablita Dance, commonly known as the Corn Dance, is a well-known event among the Rio Grande Pueblos where, in connection with saint’s days, it is performed during the growing season. The corn dance may occur at other times as well, but without a linkage to the village patron saint. A number of diverse factors, however, indicate that this dance as known today is a post-Hispanic aspect of Pueblo ceremonialism. In addition to the dance’s obvious link to the Catholic patron saint of each...

DOCUMENT Citation Only Keith Jordan.

This is an abstract from the "Animal Symbolism in Postclassic Mesoamerica: Papers in Honor of Cecelia Klein" session, at the 84th annual meeting of the Society for American Archaeology. This paper examines the predatory animals on the relief friezes of Pyramid B at Tula, clearly based on Teotihuacan models originally expressed in different media and contexts--murals in interior spaces--and the possible reasons for both Tula's borrowing of this imagery and its redeployment in sculpture in the...

DOCUMENT Citation Only John Scarry.

This is an abstract from the "Silenced Rituals in Indigenous North American Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. While the indigenous societies of the Eastern Woodlands shared ways of life, they also differed in many important ways so that we cannot view them as a single culture. Even where material cultures and iconography appear to have been shared across great distances and over significant periods of time, the meanings and practices...

DOCUMENT Citation Only Elena Mazzetto.

This is an abstract from the "Animal Symbolism in Postclassic Mesoamerica: Papers in Honor of Cecelia Klein" session, at the 84th annual meeting of the Society for American Archaeology. In documentary sources recording Nahuatl culture of the Late Postclassic period, a bird called zollin, identified as a quail (Cyrtonyx montezumae) is especially prominent. Indeed, these small birds were often chosen to be sacrificed before the divine effigies and, in some cases, to be consumed during ritual...

DOCUMENT Citation Only Emily Umberger.

This is an abstract from the "Tales of the Feathered Serpent: Refining Our Understanding of an Enigmatic Mesoamerican Being" session, at the 84th annual meeting of the Society for American Archaeology. Quetzalcoatl (Feathered Serpent) is often characterized as a wind god, but in Aztec sculptures, the traits of the wind god Ehecatl, principally the buccal mouth mask, are not found mixed with feathered serpent imagery. The mix is found in pictorial manuscripts, and alluded to in written...

DOCUMENT Citation Only Travis Stanton. Dominique Meyer. Jose Osorio. Jeremy Coltman. Karl Taube.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. In this poster, we present the results of a program of remote sensing and the digital documentation of the art and architecture of the Maya site of Chichen Itza, Yucatan, Mexico. An aerial lidar survey performed in 2014 has aided in creating a more accurate map of the site. Detailed photogrammetry and ground-based liar, performed in the area open for tourism,...

DOCUMENT Citation Only Jillian Mollenhauer.

This is an abstract from the "Tales of the Feathered Serpent: Refining Our Understanding of an Enigmatic Mesoamerican Being" session, at the 84th annual meeting of the Society for American Archaeology. Studies of feathered serpent imagery during Mesoamerica's Formative Period range widely in their conclusions, with little agreement about the parameters of inquiry, associated iconographic conventions, or even what constitutes a "feathered" serpent. Images of serpentine creatures have been...

DOCUMENT Citation Only Virginia Miller.

This is an abstract from the "The Movement of People and Ideas in Eastern Mesoamerica during the Ninth and Tenth Centuries CE: A Multidisciplinary Approach Part II" session, at the 88th annual meeting of the Society for American Archaeology. The striking recumbent stone figure known as a chacmool is a defining feature of the Mesoamerican Terminal Classic and Postclassic, occurring not only at Chichen Itza and Tula, where the largest number of figures is documented, but also in later Mexica...

DOCUMENT Citation Only Rachel Gill. Brigitte Kovacevich. Michael Callaghan.

In the late 19th century, explorers identified graffiti etched in stucco walls of residences, palaces, and temples in the Maya Lowlands. By the mid-20th century, scholars acknowledged that the ancient Maya produced these incised images. Today, archaeologists struggle with documenting these instances of graffiti with precision and accuracy, often relying solely on to-scale line drawings to best represent the graffitied image they see before them. These images can be complex, multilayered, and...

DOCUMENT Citation Only Anna Semon.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Late Mississippian ceramic assemblages from the Georgia coast contain abundant quantities of complicated stamped pottery. Motifs include concentric circles, figure nines, nested squares, and the filfot cross. Recent research tracking filfot cross design variation from assemblages on St. Catherines Island, GA was successful in identifying twelve unique...

DOCUMENT Citation Only Tia Watkins. Rosamund Fitzmaurice. Christophe Helmke. Jaroslaw Zralka. Jaime Awe.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. The precolumbian game of patolli was imbued with ideals of competition, risk, and ritual significance. The board game had a widespread presence across Mesoamerica throughout the Classic period (~ AD 250–820) and was often etched into the surfaces of monumental architecture. Recent excavations led by the Belize Valley Archaeological Reconnaissance project...

DOCUMENT Citation Only Catherine Nuckols-Wilde.

This is an abstract from the "Teotihuacan: Multidisciplinary Research on Mesoamerica's Classic Metropolis" session, at the 86th annual meeting of the Society for American Archaeology. In the mid-eighth century, Copan’s fifteenth ruler, K’ahk’ Yipyaj Chan K’awiil, oversaw the completion of Structure 10L-26 (or Temple 26), which was crowned with a stone inscription located within the superstructure. This inscription features a parallel display of Maya full-figure glyphs alongside...

DOCUMENT Citation Only Kim Cox. Whitney Cox.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. There has been a long-running debate over the function of rock art. The authors provide a definition of prehistoric Southwest Native American religion relating to cyclical time and the cosmos and show how certain aspects of rock art in the American Southwest operate within a greater Mesoamerican ideological and religious worldview.

DOCUMENT Citation Only Christine Hernandez.

This is an abstract from the "Place-Making in Indigenous Mesoamerican Communities Past and Present" session, at the 86th annual meeting of the Society for American Archaeology. In the special collections of the Latin American Library at Tulane University is a tracing made by William Spratling of an original *lienzo map centered on the town of Noxtepec, Guerrero. Painted by a *tlacuilo, the *lienzo likely dates to the end of the sixteenth century. This little-known piece exemplifies the...

DOCUMENT Citation Only Arabella Goodrich. Olivia Navarro-Farr.

In this poster, we explore the production and conservation of mosaics and frescoes, examining their co-occurrence in high elite domestic spaces and how they reveal the varying function(s) of these spaces. Citing both archaeological examples from Villa Cotanello and Villa di San Cesareo, each about a day’s journey from Rome, as well as museum collections, we emphasize the importance of conservation. Standard archaeological practice often consists of removing objects from in situ contexts and...

DOCUMENT Citation Only Annabeth Headrick.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. The city of Chichen Itza has defied attempts to identify individuals who ruled the city and its basic political organization. Scholars once argued for a shared governance system called multepal, basing this assertion on glyphic references to a series of people who apparently jointly held power. Subsequent scholarship challenged this assertion, as revised...

DOCUMENT Citation Only Annabeth Headrick.

This is an abstract from the "Dancing through Iconographic Corpora: A Symposium in Honor of F. Kent Reilly III" session, at the 86th annual meeting of the Society for American Archaeology. While many scholars have suggested that the Aztec sacrificed individuals on the Calendar Stone, this paper will not only explore this aspect but also the object’s affiliation with another form of sacrifice, auto-sacrifice. Using ethnohistoric records, connections between the imagery of the stone and acts of...

DOCUMENT Citation Only Barbara Purdy. David S. Leigh.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. During archaeological field schools in 1976-1978, unfamiliar chert objects and tools were recovered from a sandy/clay deposit at the Container Corporation of America site (CCA 8MR154), Marion County, Florida. This deposit, the Alachua Clays, was traditionally considered "culturally sterile." The specimens from the sandy/clay deposit did not resemble in any way...

DOCUMENT Citation Only Juliette Testard.

This is an abstract from the "The Precolumbian Dotted-Diamond-Grid Pattern: References and Techniques" session, at the 86th annual meeting of the Society for American Archaeology. In Mesoamerica, the wearing of wide belts, skirts, and huipils is characteristic of feminine representations. From the Epiclassic period onward, but more frequently in the Early Postclassic period in Central and Western Mexico, the skirts of certain feminine figurines start to wear what has been called, among many...

DOCUMENT Citation Only Brigitte Faugere.

This is an abstract from the "Mesoamerican Figurines in Context. New Insights on Tridimensional Representations from Archaeology" session, at the 84th annual meeting of the Society for American Archaeology. In Western Mexico, as in Mesoamerica generally, anthropomorphic and zoomorphic figurines are rather often found in groups, either in caches or in funerary context. These particular contexts allow substantial advances in our understanding of their uses and possible meanings, in particular...

DOCUMENT Citation Only Meghan Cartier.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Speech scrolls are common elements of Mesoamerican codices and their frequent use and incorporation into a wide array of human and anthropomorphic entities highlights the need for a formal study of these elements of iconography. The use of speech scrolls is not ubiquitous simply because of their function as a marker of speech in service of a larger motif or...

DOCUMENT Citation Only Marcie Venter. Lacy Risner.

This is an abstract from the "Sculpture of the Ancient Mexican Gulf Coast, Part 2" session, at the 86th annual meeting of the Society for American Archaeology. The ballgame complex was an important component of the Classic Veracruz style that spanned the Late or Epiclassic period (AD 600–900) and that was concentrated along the Mesoamerican Gulf lowlands and extended into adjacent regions. The ballgame, however, has early roots, both in Mesoamerica in general and in Veracruz in particular. In...