Ceramic Analysis (Other Keyword)

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Kefar Hananiah analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

DOCUMENT Citation Only James R. Atkinson. John C. Phillips. Richard Walling.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Kenchreai analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Khartoum analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Khirbet al-Mafjar analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL. Note that the site name is referred to as "Khirbet Al Mufgar" in the photographs.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Khirbet Shema analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

DOCUMENT Citation Only Rebecca Harkness.

This is an abstract from the "SAA 2019: General Sessions" session, at the 84th annual meeting of the Society for American Archaeology. Mimbres Classic Black-on-white is the hallmark of the Mimbres Classic period (A.D. 1000-1130) in prehispanic Southwest New Mexico. Bowls from this region are often marked by an interesting practice where holes, called kill holes, are punched out of the bottom. Kill holes are found across sites in the Mimbres archaeological region, however, little statistical...

DOCUMENT Citation Only Fay-Cooper Cole. Robert E. Bell. John Bennett. Joseph R. Caldwell. Norman Emerson. Richard S. MacNeish. Kenneth Orr. Roger Willis.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Whittaker Schroder. Socorro Jimenez Alvarez.

Though today the Usumacinta River marks part of the boundary of Mexico and Guatemala, during the Classic period the Usumacinta would have passed through numerous kingdoms, including Piedras Negras and Yaxchilan. Alternate travel routes through the valleys to the west in Mexico crossed an even more complicated political landscape approaching the kingdoms of Palenque, Tonina, and Sak Tz’i’, as well as the plentiful minor centers and rural settlements throughout the region. While surveys between...

DOCUMENT Citation Only Karen J. Walker.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only William M. Kelso.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

PROJECT Uploaded by: Charlene Collazzi

Project metadata for resources within the Kirtland Air Force Base cultural heritage resources collection.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Kition analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Korakou analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Kythrea analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

DOCUMENT Citation Only Diana Carhuanina.

This is an abstract from the "Alfareros deste Inga: Pottery Production, Distribution and Exchange in the Tawantinsuyu" session, at the 84th annual meeting of the Society for American Archaeology. La cerámica Inka en Vilcashuamán: Hacia el análisis de sus estilos En el marco del Proyecto del Tramo Vilcashuamán-La Centinela (Qhapac Ñan-Sede Nacional) desde el año 2017 se vienen realizando investigaciones arqueológicas en la Zona Monumental Vilcashuamán (Ayacucho, Perú), interviniéndose con...

DOCUMENT Citation Only Savannah Duncan. Sarah Rowe.

This is an abstract from the "SAA 2024: Individual Abstracts" session, at the 89th annual meeting of the Society for American Archaeology. A Manteño phase (A.D. 750-1530) settlement located in the present-day community of Dos Mangas, on the coast of Ecuador, is the site of a rare hilltop water cistern, which was previously excavated by Sarah Rowe in 2009. Archaeologist Jorge Marcos first described the presence of hilltop water cisterns utilized during the Manteño phase, which collected mist...

DOCUMENT Citation Only Eliseo Padilla. Karent López Guzmán.

This is an abstract from the "Reassessing Chupícuaro–Cuicuilco Relationships in Light of Ceramic Production (Formative Mesoamerica)" session, at the 89th annual meeting of the Society for American Archaeology. A finales de la década de 1910 llegaban al Museo Nacional de México los primeros objetos de la cultura Chupícuaro como parte de la colección Guillermo Heredia. Posteriormente en 1926 se integraban aquellos que procedían de las excavaciones de Ramón Mena y Porfirio Aguirre, y durante los...

DOCUMENT Citation Only Gabriela Uruñuela. Patricia Plunket. Héctor Aguilar.

A Mexican slang expression, "la del estribo" (one for the stirrup) refers to the extra glass before departing, the one that you take to continue your path. In many cultures, social drinking reinforces the collective fabric: to seal an accord, to pledge peace, or to celebrate the start or the end of an event. As death is the most crucial instance that both signals closure and new beginnings, today, as in the past, funerals often include libations. In the village of Tetimpa, some beverage was...

DOCUMENT Citation Only Patrick H. Garrow.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Yazmin Martínez Martínez.

This is an abstract from the "SAA 2023: Individual Abstracts" session, at the 88th annual meeting of the Society for American Archaeology. Atzompa floreció durante un lapso de tiempo marcado por la expansión del estado Zapoteca dirigido por Monte Albán. De acuerdo a la evidencia arqueológica de Atzompa la producción cerámica represento una acción importante dentro de la sociedad atzompeña, donde posiblemente la élite del lugar dirigió esta acción.

DOCUMENT Citation Only Philip Drucker.

This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the National Archaeological Database Reports Module (NADB-R) and updated. Most NADB-R records consist of a document citation and other metadata but do not have the documents themselves uploaded. If you have a digital copy of the document and would like to have it curated in tDAR, please contact us at comments@tdar.org.

DOCUMENT Citation Only Jillian Galle. Khadene Harris.

This is an abstract from the "*SE The State of Theory in Southeastern Archaeology" session, at the 89th annual meeting of the Society for American Archaeology. The use of theory and related models that explicitly lay out the causal processes that we hypothesize operated in the past to generate patterns archaeological data is a rarity in historical archaeology. It is especially hard to find examples of research that create or use models that are then tested using archaeological data. The...

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Lachish analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.

IMAGE Matthew Boulanger. Lawrence Berkeley National Laboratory.

These images show the individual sherds from Lake Sevan (listed as Lichesevan in the Berkeley archives) analyzed by neutron activation at the Lawrence Berkeley National Laboratory (LBNL). Photographs were taken at LBNL and scanned by the Archaeometry Laboratory at MURR. Individual files were named according to the official catalog numbers of each image assigned by the Graphic Arts Department at LBNL.