Pottery (Other Keyword)

DOCUMENT Citation Only Elizabeth Warder Crozer Campbell.

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DOCUMENT Citation Only Kenneth A. Ashworth.

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DOCUMENT Citation Only Manchester Historic Association.

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DOCUMENT Citation Only D. W. Benn. L. Blikre. A. Hengesteg. D. Lee. E. A. III Bettis. R. Mandel. G. Powell.

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DOCUMENT Citation Only Howard A. MacCord.

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DOCUMENT Citation Only Les Wikle.

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DOCUMENT Citation Only Loreen Lomax.

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DOCUMENT Citation Only James B. Griffin.

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DOCUMENT Citation Only David R. M. White.

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DOCUMENT Citation Only Erin Phillips.

This paper will examine one possible model for the use of pottery engraved in the Hemphill style at Moundville, the associations model. The Hemphill style is Moundville's local representational art style. The most commonly engraved themes in the style are winged serpents, crested birds, raptors, paired tails, center symbols and bands, and human trophies in the form of skulls, scalps, and the hand and eye design. It is suggested that these designs represent patron supernaturals relating to the...

DOCUMENT Citation Only Simon Best.

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PROJECT Lori Reed. Laurie Webster.

Digital images of pottery and perishable items recovered from Earl Morris' excavations of Aztec West Ruin between 1916 and 1922. Although Morris' excavations at Aztec were extensive, his analysis and descriptions of the artifact assemblage were cursory. In 2003, Laurie Webster and Lori Stephens Reed began systematic analysis, documentation, and digital imaging of pottery and perishables from Morris' Aztec West Ruin collections housed at the American Museum of Natural History, New York, NY and...

PROJECT Uploaded by: Lori Reed

This project includes images of perishable artifacts (textiles, basketry, etc.) and pottery recovered from Aztec Ruins during the course of numerous National Park Service (NPS) projects. Some of the artifacts were donated to the NPS and may have originated at sites other than Aztec Ruins. The artifacts are part of the NPS collections and are housed at either Aztec Ruins National Monument, Hibben Center at the University of New Mexico, or Western Archeology and Conservation Center. Most of the...

DOCUMENT Citation Only Nigel Jeffries.

This is an abstract from the session entitled "Bartmann Goes Global - Exploring the Cultural Contexts, Meaning and Use of Bellarmine Jugs Across the Globe", at the 2023 annual meeting of the Society for Historical Archaeology. The English seemingly had a distinct and unique relationship as consumers of the Frechen stoneware during the early modern period. The widespread trade and use of the vessels centred on London, the Eastern and South-east regions of England in particular led to their...

DOCUMENT Citation Only James L. Giddings, Jr.. Douglas D. Anderson.

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DOCUMENT Citation Only Charles Fisher. Jay W. Bouchard. Daniel Demicco. Richard Norelli. Barbara Orlando.

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DOCUMENT Citation Only Bettye J. Broyles.

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DOCUMENT Citation Only Gerald A. Smith.

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IMAGE Timothy Pauketat.

This is a pottery sherd from Cahokia's Tract 15B with an etched image of the birdman. Dates to about AD 1300. Photo courtesy of Tim Pauketat.

DOCUMENT Citation Only Elizabeth J. Skinner.

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DOCUMENT Citation Only Lynne Christenson.

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DOCUMENT Citation Only Russell L. Kaldenberg.

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DOCUMENT Citation Only Amelie Guindon.

The Midi Toulousain area shows a distinctive organisation of its rural ceramic crafts during the early modern period. Three production centers made pottery, imitating each other’s decorative styles and techniques. Distribution patterns are keys to understanding the social and economic factors that underlie regional competition in production and marketing. We believe that Midi Toulousain pottery production fits into the much larger socioeconomic sphere of the French Atlantic. This pottery was...

DOCUMENT Citation Only Walter C. Schuiling.

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DOCUMENT Citation Only Ronald G. Cauble.

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