The Hunter's Revenge: Magical Use of a Petroglyph
Author(s): James D. Keyser
Year: 2015
Summary
A petroglyph panel at 48SW85 in southwestern Wyoming presents a convincing case for the use of rock art imagery in hunting magic rituals. Based on differential weathering and revarnishing of the petroglyphs, different stylistic signatures of artists carving various animals and humans, and key superimpositions, the panel can be confidently identified as the product of at least half a dozen artists reusing the site for more than a century, and possibly much longer. The panel's basic structure shows a communal big game hunt whose components show a corral (that incorporates the panel's natural surface features), several animals, and several humans in different roles as participants.
SAA 2015 abstracts made available in tDAR courtesy of the Society for American Archaeology and Center for Digital Antiquity Collaborative Program to improve digital data in archaeology. If you are the author of this presentation you may upload your paper, poster, presentation, or associated data (up to 3 files/30MB) for free. Please visit http://www.tdar.org/SAA2015 for instructions and more information.
Cite this Record
The Hunter's Revenge: Magical Use of a Petroglyph. James D. Keyser. Presented at The 80th Annual Meeting of the Society for American Archaeology, San Francisco, California. 2015 ( tDAR id: 395166)
This Resource is Part of the Following Collections
Keywords
General
hunting magic
•
Rock Art
Geographic Keywords
North America - Great Basin
Spatial Coverage
min long: -122.761; min lat: 29.917 ; max long: -109.27; max lat: 42.553 ;