Who made the China’s Terracotta Warriors and how? --- spatial interpretation on marking evidence
A striking feature of Qin material culture (770-210 BC) in ancient China is the frequency with which it preserves stamped, incised or painted marks with a variety of Chinese characters, numerals or symbols. In a general sense, such repeated mark-making was an administrative strategy that enabled Qin administrators to mobilise people, raw materials and finished goods in vast bulk, subject to careful quality and quantity control, and archaeologically, this strategy is nowhere more obvious than in the manufacturing feat constituted by Emperor Qin Shihuang’s mausoleum and his Terracotta Army. This study, from a new perspective, considers the production marks associated with both the terracotta warriors and their accompanying bronze weapons. We compare and contrast the marking practices on these two very different kinds of artefacts, devoting close attention to what this implies about workshop organisation or the operational sequences behind their manufacture. We also assess the location of such signs on their parent objects as well as their wider spatial distribution across the pit as a whole, ultimately with a view to understanding craft organisation and project logistics during this crucial early phase of empire-building in China.
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Who made the China’s Terracotta Warriors and how? --- spatial interpretation on marking evidence. Xiuzhen Li, Andrew Bevan, Marcos Martinón-Torres, Yin Xia, Kun Zhao. Presented at The 81st Annual Meeting of the Society for American Archaeology, Orlando, Florida. 2016 ( tDAR id: 405049)
min long: 66.885; min lat: -8.928 ; max long: 147.568; max lat: 54.059 ;