Arriving at a Meaningful Rock Art Interpretation
Author(s): Mavis Greer; John W. Greer
Year: 2019
Summary
This is an abstract from the "The Role of Rock Art in Cultural Understanding: A Symposium in Honor of Polly Schaafsma" session, at the 84th annual meeting of the Society for American Archaeology.
Knowing the past through rock art interpretation has been a hallmark of Polly Schaafsma’s rock art studies. She has advocated and practiced her stance that the meaning of rock art is not a guessing game but is instead the result of data collection and analysis completed within a theoretical framework, and this may result in different scenarios relative to function based on the knowledge of the individual doing the study and the questions they ask of the data. Her use of ethnographic information is often tied to rock art’s place within the greater landscape, and this approach can serve the study of rock art in any region around the world. On the edge of the Northwestern Plains of North America there are two caves whose interiors are completely painted red. These sites predate any historical records, and their complete painting leaves no figurative images that can be compared with others. However, their location within the landscape, their sizes, shapes, and associated nearby cultural items and ethnographic and historical information on tribal beliefs and rituals all provide data to create a meaningful interpretation of their function prior to European contact.
Cite this Record
Arriving at a Meaningful Rock Art Interpretation. Mavis Greer, John W. Greer. Presented at The 84th Annual Meeting of the Society for American Archaeology, Albuquerque, NM. 2019 ( tDAR id: 450466)
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Keywords
Geographic Keywords
North America: Great Plains
Record Identifiers
Abstract Id(s): 26015