3D-Scans und 3D-Drucke in der Musikarchäologie. Möglichkeiten und experimentalarchäologische Praxisbeispiele
Author(s): Elias Flatscher; Michael Praxmarer; Wolfgang Recheis; Michael Schick
Editor(s): Gunter Schöbel; Ulrike Weller; Thomas Lessig-Weller; Erica Hanning
Year: 2019
Summary
This resource is a citation record only, the Center for Digital Antiquity does not have a copy of this document. The information in this record has been migrated into tDAR from the EXARC Bibliography, originally compiled by Roeland Paardekooper, and updated. Most of these records consist of a document citation and other metadata but do not have the documents themselves uploaded.
If you have a digital copy of the document and would like to have it curated in tDAR, please contact us using the "Submit Correction, Comment" link to the right.
Cite this Record
3D-Scans und 3D-Drucke in der Musikarchäologie. Möglichkeiten und experimentalarchäologische Praxisbeispiele. Elias Flatscher, Michael Praxmarer, Wolfgang Recheis, Michael Schick, Gunter Schöbel, Ulrike Weller, Thomas Lessig-Weller, Erica Hanning. In Experimentelle Archäologie in Europa, Jahrbuch 2019. Pp. 140-152. Unteruhldingen: EXAR. 2019 ( tDAR id: 454900)
Keywords
General
3D
•
Music Archaeology
Geographic Keywords
Germany
Individual & Institutional Roles
Contact(s): EXARC Experimental Archaeology Collection Manager
Notes
Rights & Attribution: The information in this record was originally compiled by Dr. Roeland Paardekooper, EXARC Director.