Modeling the Cosmos: Making Sense of "Rim Rider" Effigy Bowl Iconography in the Central Mississippi River Valley

Summary

This is an abstract from the "Dancing through Iconographic Corpora: A Symposium in Honor of F. Kent Reilly III" session, at the 86th annual meeting of the Society for American Archaeology.

Symbolically charged ceramic rim-effigy bowls, characterized by figural head and tail adornments, are hallmarks of the Late Mississippian period in the central Mississippi River valley (CMV). Hundreds of whole rim-effigy bowls, most often depicting serpents, birds, or humans, have been collected at sites from southeastern Missouri to northwestern Mississippi. However, a comprehensive iconographic analysis of the CMV rim-effigy bowl corpus—specifically focused on visual style and theme—has never been conducted. A systematic review of the corpus’s imagery suggests that CMV rim-effigy bowls acted as materializations of the Mississippian cosmos, reinforcing the principle of cosmic balance. Further, given discrete concentrations of bowl styles and themes across the region, localized religious collectives—perhaps sodalities—may have produced their own rim-effigy bowls for use during charter rites or ceremonies. Ultimately, this review of a previously understudied ceramic corpus serves to broaden understandings of Mississippian art and iconography in the CMV and beyond.

This Resource is Part of the Following Collections

• Society for American Archaeology 86th Annual Meeting, Online (2021)   •
• Dancing through Iconographic Corpora: A Symposium in Honor of F. Kent Reilly III

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Record Identifiers

Abstract Id(s): 32134