The Archaeological and Scientific Analysis of Blue-Decorated Ceramics in the Tang and Song Dynasties (618–1279 CE)

Summary

This is an abstract from the "SAA 2025: Individual Abstracts" session, at the 90th annual meeting of the Society for American Archaeology.

This paper reviews studies of Tang and Song blue-and-white porcelains, both archaeologically and scientifically, based on published data, and compares blue-and-white with sancai which represents the earliest use of cobalt pigment in Chinese ceramics. Thirty-nine Tang blue-and-white wares and seven Song wares have been excavated from city sites, kilns, a tomb, a shipwreck, and pagodas. These findings identify Tang blue-and-white as export ware related to the Maritime Silk Road or suggest it was produced for foreigners in China for daily use or personal collection. Also, the results reflected the connection with Buddhist culture. All Tang and Song blue-and-white are vessels and the motifs on them are plants, insects, a child, geometric and combination patterns. Palmette and lozenge motifs show the influence of Middle Eastern taste. Additionally, we re-analyse and discuss the previous scientific evidence of Tang and Song blue-and-white, including body, glaze, and cobalt pigment to reveal the origin of materials and technology of Tang blue-and-white porcelain. The raw pigment of Tang blue-and-white was possibly inherited from sancai, probably from the Middle East, and the biscuit body and high-fired clear lime glaze were provided by white porcelain. And Song blue-and-white may utilise native cobalt ore, which possibly was from Zhejiang.

This Resource is Part of the Following Collections

• Society for American Archaeology 90th Annual Meeting, Denver, CO (2025)   •
• SAA 2025: Individual Abstracts

Keywords

Record Identifiers

Abstract Id(s): 53750